Les blessures de l’enfance ne s’effacent pas, elles se réparent. Muriel Salmona, psychiatre de renom et spécialiste des violences sexuelles, consacre sa vie à soigner celles et ceux que l’enfance a brisés. Incarnée à l’écran par Sandrine Bonnaire, Marianne Denicourt et Isild Le Besco, elle accompagne des patients qui affrontent leur passé et ouvrent, pas à pas, le chemin de la réparation.

故事发生在八年抗战时期的上海，小勤丽自幼家境殷实，受到良好教育，还迷上了音乐，一心想成为钢琴家，父亲惠义（姜文 饰）本身是个开明的知识分子，一直支持女儿梦想。但当勤丽长成婚配年龄段少女（屠怀青 饰）时，家中老人却想把她嫁给大资本家的儿子陈有煌，借此联姻挽救岌岌可危的家族生意，重压之下， 惠义只好妥协，勤丽出国深造音乐的梦想破灭，从此父女失和。勤丽出嫁后，受到公婆处处用封建礼教的刁难束缚，还不许她碰钟爱的钢琴，幸好丈夫通情达理，对她支持疼爱，勤丽也慢慢对他产生了感情。战乱动荡，陈家迁居香港，陈有煌染上恶疾，勤丽只得跟随，但也未放弃练琴。时光荏苒，勤丽已经成了旅居巴黎的女钢琴家，举办自己的音乐会时，久未谋面的父亲竟然在过道出现……

爱斯基摩人因自然环境的变化下，他们生活开始改变。有一日两个白人叫布朗及大牙到来，将他们打猎得来的狐皮偷走，令到族长古马和儿子（阿加谷）不和。阿加谷更错手杀死有朗。其后，阿加谷同他的爱人伊芝玉逃离古马及族人。阿加谷从商店老板之中，鬼知警方展开调查布朗被杀事件。警方来到，下令古马及他的族人交出凶手。后来更没收他们的维生工具。另一边，阿加谷因被一只狐袭击，令他遍体鳞伤．．．

1952, Paris. Nadia, a Red Diaper baby, has a sister, Polish parents, and at 15 is an active Communist. When cops beat her during an anti-American demonstration, she's rescued by a "Match" photographer. As the friendship becomes a love affair and her slogans are tested by new knowledge and emotion, some of the Red youth want to expel her. When she goes with Stéphane to a seaside photo shoot, her father goes to the police. Stéphane faces charges, so leaving to cover the war in Indochina looks appealing. In a parallel story, Nadia's mother meets again her prewar lover, released from Siberia, who challenges the French Reds with very real scars and word of Stalin's anti-Semitism.