Seti I se encontraba aún en la flor de la vida cuando murió inesperadamente en 1279 a. C. Aunque breve, su reinado de 10 años fue brillante y le permitió al príncipe Ramsés completar una educación óptima de cara a su futuro papel como rey y engendrar muchos hijos para que su legado no se perdiera. La muerte de Seti I marcó el inicio de un reinado histórico: el de Ramsés II. Desde el principio, este impuso un estilo único y perseveró en su deseo de restaurar la grandiosidad de Egipto y de expandir sus territorios. Se erigió en un faraón distinguido por sus proezas como constructor y guerrero.

Mitri是一个普通的塞内加尔男孩，他住在小村子里。尽管普通，可Mitri和其他的人一样，也有一个足球梦，他希望有一天可以进入世界杯。不断长大的Mitri距离自己的梦想越来越近时，他的家族却发生了很多自己无法控制的事情，他的足球梦一次次被搁置，Mitri可以实现自己的梦想吗？

Director Samuel Collardey Screenwriter Samuel Collardey Catherine Paillé Producer Grégoire Debailly Principal Cast Anders Hvidegaard Asser Boassen Julius B. Nielsen Tobias Ignatiussen Thomasine Jonathansen Gert Jonathansen SECTION World Doc COUNTRY France RUN TIME 95 min LANGUAGE Danish/Inuit SUBTITLES Yes with English subtitles COMPANY KINOLOGY EMAIL [email protected] PHONE +33 687510396 Although he’s warned to expect boredom and bitter cold, Anders, a young Danish primary school teacher, accepts a post in Tiniteqiilaq, a remote village of 80 inhabitants in Greenland. Arriving with certain preconceptions—the “Danish look” as one villager calls it—Anders contends with cultural differences and an unruly classroom, to say nothing of the snow. Wondering what it takes to be accepted in this “hellhole,” he’s advised to try learning the language and local ways—hunting, sledding, fishing. How hard can it be, he figures, to ride a sled? French filmmaker Samuel Collardey often explores the blurry terrain between fiction and documentary. Meticulously constructed, A Polar Year blends purely documentary sequences with scripted moments involving the villagers. But these distinctions become academic as you give yourself over to cinema that’s thoroughly absorbing and visually breathtaking. Collardey spent months in the village before learning of Anders’s assignment and starting to film. His “reverse assimilation” story reflects delightfully on Eurocentrism as well as on Tiniteqiilaq’s indigenous people, changing seasons, and rhythms of life and death.