《赎罪日》以纪录片式的风格讲述了一对生死之交在中东战争中的惨烈故事，具有深刻的反省意义和血淋淋的震撼力。而这部电影的背景，正是导演自己的亲身经历，正是这场惨烈的战争，促使他走上电影之路。

In May 1948, shortly before the creation of the State of Israel, hundreds of immigrants from across Europe arrive in Palestine--only to risk arrest by British troops.

Thomas (Juliano Mer) and his sister Mariana (Semadar Kilchinsky) have arrived together in Tel Aviv and set up housekeeping in the sleazy side of the city. Thomas makes his money as a "kept man" for two different women who are nightclub entertainers. At the same time, he attracts the attentions of an amorous transvestite. His unnatural love for his sister goes unexpressed, but his jealousy cannot be controlled. If his sister wants to lead any sort of a normal life, it will be up to her to break her dependence on her brother and move on.
The films of Hungarian born Amos Guttman, who died of AIDS in 1993 at the age of thirty-eight, were among the first to depict gay life in Israel, but they did so from such a lachrymose perspective that they often garnered more criticism than praise in many Israeli gay and lesbian circles.
In his films the protagonists are hopelessly caught in vicious circles of sexual and emotional exploitation. One could approach Guttman’s thinking in a variety of ways. On the one had, he was the product of a time when homosexuality was repressed and marginalized, so his cinematic response might be seen as entirely logical. To purge Israeli society of its internalized homophobia required an unapologetic look at the potential “monsters” that it had created. Similarly, one finds in Guttman a vision of sexuality that was concerned, not with normalizing gayness within existing social structures, but rather with shattering those structures and substituting alternatives in their place.

After a massive earthquake destroys Los Angeles, a new order is formed. But disagreement among the ranks leads to more war and disruption, and The Last Patrol must bring order if there's to be any hope for the future.