In a straightforward yet unexceptional rendering of the life and loves of Alberto (Ben Gazzara), a writer/director approaching the hill though not yet over it, director Alberto Bevilacqua has used his own experiences to fashion a conventional tale about a search for the "perfect woman." His mettlesome neighbor Luisa (Lina Sastri) just will not leave him alone; she was the reason why he ended his marriage to Maura (Claudia Cardinale), but Alberto considers their affair dead and buried. Recently, an anonymous "dream woman" has been calling him for some seductive phone exchanges. As he searches out the identity of the mystery caller he is also distracted by Luisa who starts to insinuate herself back into his affections. Sooner or later, Alberto will just have to decide how to handle his love life, which in the end may only be mesmerizing to himself alone.

The founding of 'L'Ordine Nuovo', the birth of the Communist Party of Italy, trips to Moscow, the family, election to Parliament, anti-fascism, exile, the trial, the conviction, the tragic death: in 1981 RAI aired the four episodes of 'Vita di Antonio Gramsci', directed by Raffaele Maiello and script by Suso Cecchi D'Amico, Silvia D'Amico Bendicò and Giuseppe Fiori

1989 film by Ricky Tognazzi

The time is the late 1920s, and Angelo and Tonino are two brothers traveling around the country in a rattle-trap truck, showing moving pictures to any group of people willing to pay. When they arrive in the region of Emilia-Romagna, Angelo strikes up a relationship with a wealthy marchesa connected to the fascist movement. Tonino, on the other hand, starts to follow the rebellious Giovanni, locked up for his anti-fascist stance, and the farmers who have joined in the anti-fascist forces. As the rebels are either murdered or put in prison, Tonino becomes more and more commited to their cause - especially after Giovanni is killed. When a silent movie on the condemned and dying Christ is shown on the brothers' screen, Tonino stops the action to project some slides he has taken that show who murdered Giovanni - in an action that calls for his brother and the rest of the bystanders to finally make a decision on where to place their loyalties.

Love blossoms between crusader Bradamante—a woman knight wearing an invincible suit of armor—and Moorish prince Ruggero. But a sorceress predicts to Bradamante her beloved will die in battle at the hand of fellow Christian paladin Rolando, whom in turn is in love with Isabella, Ruggero's sister.

Thirty years after the disappearance of her father, a university professor who was targeted by radicals in the '70s, a woman discovers a way to communicate with her past self and tries to prevent the tragedy that marred the life of her family, but she learns that not everything was as she thought.

Palermo, Sicily, 1984. Examining magistrate Giovanni Falcone allies with Tomasso Buscetta, a former mobster, to defeat the clan of Corleone, the ruthless Mafia faction that rules Cosa Nostra with an iron hand, cruelly eliminating all those who dare to oppose its immense power: other criminals, policemen, judges, even innocent civilians. One of them wants revenge, the other wants justice. But only one can survive such an unequal fight.

During a debate in Naples' town hall in the early 1980s, Pasquale Picone, a former steel-worker who has recently lost his job, sets himself on fire in front of the Municipal Council.

Saint Peter, a reluctant but passionate leader, from the crucifixion of Jesus to his own. The film's first half dramatizes the New Testament's "Acts": early fear, the renewal of Pentecost, Saul's conversion, the decision to baptize pagans, and the Apostles' dispersal. In the second half, an aged Peter goes to Rome to join Paul, arriving on the day of Paul's arrest. Paul's death brings a crisis to Rome's Christians and to Peter; lessons from Jesus's teachings guide his decision to stay. Events within the fictive household of Persius, a Roman aristocrat, capture the upheaval that Christian teachings bring to the Eternal City.