This set features the duets of Henry Kaiser and the late Russian keyboardist Sergei Kuriokhin. Both play Synclavier keyboards, with the former also playing guitar. The pieces range from the friendly strut of "Rattlesnake Round-Up" to the wacky hoedown of "Electricity Vs. Foods." "The Concept Of Concept" starts off as a bluesy reverie as played by Kaiser, who hands it over to Kuriokhin, easing it into a classically evocative European landscape. The two men each spoke little of the other's native tongue, and perhaps because of that linguistic barrier, communicated all the more effectively as improvising musicians. A warm friendliness runs throughout this entire CD, and for anyone unfamiliar with or wary of the world of improvised music, POPULAR SCIENCE makes for a most hospitable entry point.

Electric Guitar – Henry Kaiser (tracks: 1 to 3, 6 to 9)
Guitar [Midi] – Henry Kaiser (tracks: 1, 2, 5, 6, 9)
Producer – Henry Kaiser

Tracks 1 & 9 recorded live June 1992.
Track 2 recorded live March 1988.
Track 3 recorded April 1992.
Track 4 recorded November 1990.
Track 5 recorded November 1991 in California.
Track 6 recorded live August 1990, at Derek Bailey's Company Week, London.
Track 7 recorded live August 1989.
Track 8 recorded June 1992.

2008 digitally remastered and expanded edition of this collaboration album featuring four previously unreleased live bonus tracks. The album Live, Love, Larf & Loaf was first released in 1987 and is a wonderful and rare collaboration between four experimental world-class master musicians. Richard Thompson once joked that if his presence on an album with John French, Fred Frith, and Henry Kaiser was expected to help it appeal to a wider audience, it didn't say much for the state of their careers. Their first album from this unlikely ensemble mixes sophisticated playing with some humorous repertoire and idiosyncratic covers. Live, Love, Larf & Loaf covers a bewildering variety of genres, from Folk and R&B to Avant-Garde and Comic Opera. The New York Times made it their Rock Album of the Week - "As it draws on music from at least four continents, Live, Love, Larf and Loaf romps past borderlines". Fledgling.

Werner Herzog《在世界尽头相遇》电影原声带
© 2013 Kaiser/Lindley
℗ 2013 Kaiser

Art Direction, Cover [Cover Drawning] – Brandy Gale
Composed By [All Compositions By] – John Coltrane
Engineer – Wayne Peet
Guest [Special Guest], Percussion – Rakalam Bob Moses
Liner Notes – HK
Mastered By [Mastering] – Henry Kaiser, Wayne Peet
Performer [Crew On Board], Bass – Mike Watt
Performer [Crew On Board], Drums – John Hanrahan
Performer [Crew On Board], Electric Organ [Hammond B3 Organs], Electric Organ [Yamaha YC-45D Organs] – Wayne Peet
Performer [Crew On Board], Guitar – Henry Kaiser
Performer [Crew On Board], Tenor Saxophone [Tenor Saxophones], Soprano Saxophone [Soprano Saxophones], Baritone Saxophone [Baritone Saxophones] – Vinny Golia
Photography By [Photos] – Rob Borolla Jr.
Producer [Production] – Henry Kaiser
Recorded on February 10th 2019.

Double Bass – Olie Brice
Drums, Percussion – Eddie Prévost
Graphic Design – Sergio Vezzali
Guitar [Guitarism] – N.O. Moore
Guitar [Ismguitar] – Henry Kaiser
Mastered By – Bob Olhsson
Painting – Brandy Gale
Recorded By – Shane Shanahan
Saxophone [Saxophones] – Binker Golding
Recorded on March 12, 2020 and mixed at Westpoint Studios, London UK

Design – Chippy, Heung-Heung Chin
Drums, Percussion, Saw – Charles K. Noyes
Electric Guitar, Acoustic Guitar – Henry Kaiser
Executive-Producer – John Zorn
Executive-Producer [Associate Producer] – Kazunori Sugiyama
Gayageum [Kayagum], Flute [Tanso], Vocals, Calligraphy – Sang-Won Park
Mastered By – Phil Brown
Photography By [Back], Art Direction – Thi-Linh Le
Photography By [Front] – Michael Ayervais
Producer – Charles K. Noyes, Henry Kaiser
Recorded By – Randy Adler
Remastered By – Scott Hull
Recorded August 1983 in NYC. Originally issued as Celluloid CELL 5008/5009.