After seven difficult years, Matteo Dell Torre withdraws his campaign from the crisis. But because of the work, he rarely sees with his wife, with children. When the case turned out to be imposed, the police accuse Matteo of murder and find 30 million of bad money on account of the company. Under the threat of business and marriage. Mateo will go to jail. In order to prove his innocence, he turns out to be incarcerated ...

1981 film directed by Luis Gomez Valdivieso

The time is the late 1920s, and Angelo and Tonino are two brothers traveling around the country in a rattle-trap truck, showing moving pictures to any group of people willing to pay. When they arrive in the region of Emilia-Romagna, Angelo strikes up a relationship with a wealthy marchesa connected to the fascist movement. Tonino, on the other hand, starts to follow the rebellious Giovanni, locked up for his anti-fascist stance, and the farmers who have joined in the anti-fascist forces. As the rebels are either murdered or put in prison, Tonino becomes more and more commited to their cause - especially after Giovanni is killed. When a silent movie on the condemned and dying Christ is shown on the brothers' screen, Tonino stops the action to project some slides he has taken that show who murdered Giovanni - in an action that calls for his brother and the rest of the bystanders to finally make a decision on where to place their loyalties.

The rise and fall of a blind artist who has the extraordinary gift of making true-to-life portraits just by listening to human voices, and of becoming a TV-junk star. A fable on the need to rediscover the miraculous power of dignity in a world where media's noise has solved the problem of man's imperfection simply by removing the problem itself.

1975 film by Romolo Guerrieri

Roma.During a clash between demonstrating laborers (whose fight the students have joined) a policeman and a student are both killed. The investigating magistrate - in charge of the case with two commissioners - wants to believe to the version of the police: the student was killed by one of the laborers, while the policeman would have been killed by Massimo Trotti.

Italian coming of age story about two cousins, Enzo and Agata, told in three stages.

A young man whose passions are money, beautiful women and racing motorcycles comes up with a scheme that will allow him to combine all three, all while committing the "perfect" crime.

A factory worker known for his tough attitude and for fighting for workers' rights starts losing credibility when friends and co-workers see him helping a young gay man.

Pirates take over a lighthouse on a rocky island. They then execute a devious plan to cause ships to run aground, pillaging their wrecks. A lone member of the lighthouse crew survives, and he deperately fights their plot. A shipwrecked maiden that avoids the pirates slaughter soon complicates the situation.

Opening with a funky 70's concert presumably in Italy, DEATH RAGE is an obscure Italian knockoff of the American action flick starring Yul Brynner in one of his final film performances. Brynner is really the only good reason to watch this movie, as there is very little special about it beyond that. Barbara Bouchet, Brynner's leading lady, is very sexy and does show a lot of skin, so there is some eye candy. Unfortunately, Brynner and Bouchet, in terms of acting, have almost no chemistry together (according to the trivia section at IMDb, they did not get along on the set--it shows). For those not familiar with Italian cinema during the 70's and 80's, keep in mind that the dubbing is never well done in these kinds of movies. The main focus is watching Brynner being a badass (which he does exceptionally well), watching Bouchet's body, and seeing lots of gunfights, car chases, and explosions. The plot is nothing new, and some of the dialogue is out-and-out stolen from other films. The special effects are standard for the time, and there is some animation featured during Brynner's flashback sequences (the "Death Rage" from the title). The movie follows retired hit-man Peter Marciani (Brynner), whose brother was, once upon a time, killed by the Mafia. He is lured out of retirement to hunt the man responsible for his brother's death, and travels to Italy, where he meets a goofy young wannabe named Angelo (Massimo Ranieri). Angelo shows him to his method for manipulating horse races, then takes him to a nightclub where Marciani is introduced to exotic dancer Anny (Bouchet). With his companions by his side, Marciani avoids death and struggles with his eye condition while trying to bring down the mob.

Bubu leaves his job in a bakery, forces his girl-friend into prostitution, and from then on lives out of the money she makes. The young couple find their place in the world of prostitutes and pimps, but the lack of perspective in their life - which is permanently haunted by the possibility of an incurable and fatal venereal infection - and the humiliations the girl endures strain their relationship and lead to conflicts.

Metello struggles to escape from the poverty that led to the premature death of his parents, and that is the lot of the working class in northern Italy during the second half of the 19th century. Metello fights his way out from his condition through hard work, a determined will to resist oppression inherited from his father, but also by taking advantage of his good looks when dealing with women. Metello progressively assumes an important role in the organization of an emerging workers movement, and attempts to conciliate his risky political activities with his private life.

《爱的勇气》讲述的是男女之间相遇的故事。一次偶然的相会，一个爱的诺言，一个错过的约会……这一切和矛盾的情感互相交织：幸福、愤恨、爱情、伤感，一个街头歌手和一位女扒手、一位酒吧服务员、一位全能的保姆和一位特别的生意人。一曲生命和爱情的赞歌……

2016 film by David Grieco