The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.

肯定斯•安格的《天蝎星升起》（Scorpio Rising，1963）。安格将摩托车文化结合于同性爱欲、妖魔鬼怪、死亡意向，以及大众媒体所激发的欲望。他借着经过安排的场面、随意拍摄的记录镜头，以及采自漫画、电影和神秘传统的影像，营造出一种气势强烈的蒙太奇。除此之外，片中每一个片段都配上一首摇滚乐，也预示着音乐录影带结构的来临。

A Slavonic Mass by Leos Janácek plays as historical figures, biblical characters, and mythical creatures gather in the pleasure dome. Aphrodite, Lilith, Isis, Kali, Astarte, Nero, Pan, and the Great Beast and the Scarlet Woman are part of a visual feast of images superimposed, hallucinations, and the spirit of decadence of the "Yellow '90s." Mythological images from Aleister Crowley, cabalistic symbols, artifice, and magic combine to render the pleasure dome both as prison and as celebration.

Rabbit's Moon is a short avant-garde film directed by Kenneth Anger in the style of both mime and Kabuki theatre. The title refers to the Japanese myth about a rabbit on the moon. The story focuses on Pierrot trying to obtain the unattainable moon. Harlequin appears and entertains Pierrot with sword play, juggling, and dance. Pierrot remains distraught, so Harlequin summons Columbina to help uplift Pierrot.

这是一部画展
the art of Aleister Crowley

The training practice of a soccer team – close-up of feet, body parts, muscles – entirely silent except for the noises of the ball being hit – a sort of minimalist, crisp, homoerotic version of Philippe Parreno's and Douglas Gordon's Zidane – A 21st Century Portrait.