Despite the fact that he has a beautiful wife who loves him and a good home, gold-digger Lillian Loring discovers that Ralph Hedman is a pushover for her winsome wiles and ways. Ralph's wife, Alice, becomes suspicious when she sees them together at lunch one day. He asks for a divorce but Alice says she wants to keep the marriage going for at least a year, for appearances sake, and says she will agree to a divorce then if he still wants it. Alive stays home alone for three months while Ralph is living it up as a full member of the Jazz Age. He gets sick and Alice invites Lillian to come over and help get him well. Lillian decides that lots of saxophone playing and wild dancing is the best cure. Alice takes all she can stand, leaves a note for Ralph and departs the premises. Ralph also takes his own departure, after leaving a note for Alice. Lillian keeps on partying. Alice and Ralph, driving their respective cars into an intersection, have a collision.

Though betrothed to fellow socialite Richard, Iris weds her chauffeur Tom leaving Richard to marry the family laundress' daughter Shamrock. Class differences lead to divorces and remarriages.

Leila Porter comes to dislike her husband James, a glue king who is always eating onions and looking sloppy. But after she divorces him and marries two-timing playboy Schuyler Van Sutphen the now-reformed James looks pretty good.

An uneducated young girl becomes suddenly wealthy and hires the disinherited son of an upper-class family to tutor her in the ways of society.

The greatest pleasure of this fun DeMille classic is the sublime performance of the radiant Leatrice Joy. From the great opening shot, of her speeding along in her roadster, to the final clinch, she eats up the screen with her energy and, dare I say it, joy of living! Joy was more than just a substitute for Gloria Swanson in DeMille's films - she brought a different sort of vigour to her roles, a true Jazz Age energy that Clara Bow would later build upon. She is certainly an actress that deserves to be re-discovered.
The story, of a shallow fun-loving rich girl discovering that the true meaning of life is service to others, is rather too moral to be taken seriously - especially as DeMille can't help creating two completely gratuitous, but highly enjoyable, "flash-backs" to Ancient Rome, featuring wild orgies (and even a lesbian kiss!!). It's the usual clash between DeMille's fascination with sex and sado-masochism and his need to moralise against such things.
It all adds up to a visually stunning entertainment. Don't miss it!
(author: David Atfield ([email protected]) from Canberra, Australia at imdb.com)