One of the greatest pests on the planet, the evil ants destroy the forest to protect their family. Memories of the covid-19 pandemic, eroded by ignorance and negationism. What's left in this great country of worms and viruses?

In times of rampant populism and increasing distrust of the elite, the filmmaker accompanies the 81-year-old founder of the controversial World Economic Forum over the period of one year in his efforts to implement his leitmotif: to improve the state of the world. Can the WEF contribute to solving global problems? Or is it rather an integral part of the problem?

What would the pandemic have been like in Brazil if the government had used all the potential that the SUS (Brazilian Federal Health System) offers? What could the country's 300,000 health workers have done to combat the uncontrolled transmission of the virus? How many deaths would have been avoided if we had done contact tracing, mass testing and invested in effective prevention and awareness campaigns? How many children, wives, husbands, mothers, fathers and brothers would have lost the most important people in their lives if the president of the republic had not bet on the strategy of intentional contamination to generate collective immunity, despising vaccines and betting on charlatanism (and corruption)?

With unprecedented access to the Brazilian Senate, director Dandara Ferreira follows the entire trajectory of the Covid-19 Parliamentary Inquiry from the inside, transforming this exclusive footage into a cinematic record of one of the most defining moments of the pandemic in Brazil.

Brazilian documentary of 2021

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

Investigates the increasingly powerful grip that faith leaders hold over politics in Brazil, one of the world's largest Christian nations.

2022 film directed by Rachel Grady and Heidi Ewing