Danielle (Bernadette Lafont), a grandmother in her sixties, is planning to take her two grandchildren to their father’s house for the Easter vacation. Since retiring as a schoolteacher, Danielle has regularly taken on this responsibility after her daughter’s divorce. This time, however, the children’s father is not there to welcome them, giving Danielle the opportunity to spend a bit more time with her grandchildren and to take them out for the day. Jumping at every opportunity presented to them, Danielle soon transforms this day-outing into an impromptu holiday. Only what starts out as a fun adventure gradually turns into an inexorable deconstructing experience, and it soon becomes impossible for Danielle to contemplate taking the kids back…

It's been four years since Sylvie's son Felipe was abducted by his father Pablo after their divorce. Having been let down by the French officials who had succeeded in tracking both them down, only to let them escape again, Sylvie has now decided to take matters into her own hands.

Ce qui est frappant quand vous parlez avec des mathématiciens, c’est cet éclat dans les yeux, cette voix soudainement joyeuse qui tente de vous faire partager un concept, une théorie, comme autant de morceaux de vérité vers la connaissance du monde. En les écoutant, ce sont les mots invention, beauté, liberté qui reviennent sans cesse. Vous êtes alors pris d’un vertige : comment en est-on arrivé à ce que ce langage riche de promesses, cette proposition quasi philosophique sur le monde devienne un langage rejeté par une majorité, « la seule discipline où l’on se targue d’être nul »! Mais depuis 40 ans, les mathématiques sont devenues incontournables pour le meilleur et parfois pour le pire!

2022 film directed by Olivier Peyon

2011年3月11日，日本遭遇史上最大地震的襲擊，引發福島海嘯災難。亞歷珊卓拉剛從法國來到東京，正準備在當地法商銀行工作，卻突然遭逢這場核災危機。在工作與家庭間拉扯，逐漸浮現的恐懼與焦慮就要吞噬亞歷珊卓拉。離開或者留下，丈夫兒女與仰賴她的員工，亞歷珊卓拉該如何抉擇？