After Mana's sudden disappearance from her room, her sister, Ako, finds a website on Mana's computer. In Ako's ongoing search for Mana, she notices strange things about the website that she should not have uncovered.

An interpersonal drama adapted from popular motorcycle manga "Kirin". It portrays the life of a biker who only feels alive in the world of speed. Its battle race between a motorbike and a Porsche on a public road is a thrilling highlight. Its director is Otsuru Gitan, who is also active as an actor. Kirin (Maki Kurodo), a legendary ex-bike racer, now leads an ordinary life as a company employee. However, one day he discovers the beloved bike he used to ride at a motorcycle store, and decides to take on the Porsche he raced in the past once again.

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

以被誉为粮仓的栃木県栃木市为舞台，为纪念栃木市青年会议所55周年而制作的短片。 栃木土生土长的木崎爱子在新栃木站，遇见了在电车上睡过头而从东京来到这里的女性山内里江。两人进了当地的居酒屋，遇见了爱子的青梅竹马北村铁雄，里江看见了咸鲑鱼头杂烩的栃木小吃。次日，爱子与铁雄带里江游览栃木，里江为这座城市倾倒的同时也注意到了爱子对铁雄的心意。

专业摄影师・村田容子因为工作的缘故认识了在出版社上班的森沢由梨子。由梨子被容子散发的气质所吸引，有一次，她问容子为什么不拍人物摄影，特别是恋人的相片。容子的回答是：「喜欢的人是最不能拍摄进去的，照片并不能把人物的魅力如数捕捉到…」 容子在读书的时候和諸凪花世有一阵子陷入爱河，后来花世跟容子分手了，受了打击的容子，将心封闭起来不与别人深交。一天容子决定和由梨子结伴出外取材旅行的时候，与在宠物店工作的花世再相遇了，容子的脑海里就闪回了过去和花世的种种情事……

Seiji works on construction sites. He sympathizes with Hosaka just back from Thailand. Together, they spend their evenings in bars with Thai girls. On a construction site, they meet Takeru, a member of the hip-hop collective of the city.

The seventh film of “The Perfect Education” series tells the tale of a man and a girl who pursue love to the point of madness. With erotic dances and love scenes shot in 3D, the film dpicts a “pure love” story tied with sexual desires. “Welcome home, Master!” Kabashima is a regular at the maid cafe. He is head over heels in love with Ichigo, a maid who works there. On her birthday, he is waiting for her by the back door, she exits finally…several hours later, she awakes only to find herself surrounded by thin, plywood walls, her feel, hand, and mouth bound and gagged with packing tape. Amid the darkness, Kabashima quietly opens his mouth, “this is our house. Let’s live intimately together.”