Peter Kern — Director (5)

Movie

Murder Sisters (2011)
Mörderschwestern IMDb TMDB
other title: Mörderschwestern / 謀殺姐妹 …
After 20 years in prison, the former angel of death at Lainz hospital has been released, and she now works in the Prater amusement park, at a restaurant that specializes in roast knuckle of pork. Observing the guests and how they behave reawaken old emotions, and she poisons a pork knuckle to punish the happy people. The movie audience can use their remote control devices to decide who dies.

Movie

The Island of the Bloody Plantation (1983)
Die Insel der blutigen Plantage WikiData IMDb TMDB Douban
other title: Die Insel der blutigen Plantage / 虎口胭脂 …
A women's prison on a tropical island is a hellhole where the inmates are raped, tortured and otherwise abused by the evil commandant and brutal guards. However, one of the guards falls in love with a beautiful inmate, and decides to help her and all the other prisoners escape.

Movie

Blutsfreundschaft (2009)
Blutsfreundschaft Douban
Peter Kern actor: 赫尔穆特·贝格 / 哈里·兰博尔
other title: 接纳 / Initiation
16岁的阿克塞尔无家可归,加入了新纳粹组织,被同伴们逼着打砸抢杀。在一次报复社工的行动中,阿克塞尔误杀了一名社工,惊惶失措的阿克塞尔误闯进了老人古斯塔夫的家里,这位80多岁的老人是个没出柜的同志,他接纳并保护了阿克塞尔,同时也唤醒了他遗失太久的回忆...

Movie

The Last Summer of the Rich (2015)
Der letzte Sommer der Reichen Douban
other title: 富不过夏天 / Der letzte Sommer der Reichen
Young and attractive company executive Hanna von Stezewitz (Amira Casar) has everything, and just takes whatever she doesn’t. She’s an arrogant and unscrupulous manipulator who has politicians and banks in her pocket – she’s a perfect example of predatory capitalism whose preferred sartorial look is patent leather and leather. To avoid boredom she seeks ever more extreme kicks and sees her abuse of a young girl with hopes of a career merely as collateral damage, nothing money can’t fix. The only person who stands in her way is her bedridden grandfather, the family patriarch, and his reactionary worldview. Desperate to be rid of him, she hires a killer. When Hanna unexpectedly finds a lover who is her equal in the shape of Sarah, the nun who is her grandfather’s nurse, her happiness seems complete. But does she really have everything under control? Peter Kern has succeeded in creating an angry, opulent portrait of manners in which everyone – rich or poor – is corruptible or at least susceptible to seduction, and criminality and capital go hand in glove. A merry dance of corruption in which anyone who steps out of time is simply brushed aside.