After a long absence, artist Margaret Church returns to her aging parent's home to finish a portrait of them, only to to discover that her parents have decided to sell their home.

When vigilante land baron David Braxton hangs one of the best friends of cattle rustler Tom Logan, Logan's gang decides to get even by purchasing a small farm next to Braxton's ranch. From there the rustlers begin stealing horses, using the farm as a front for their operation. Determined to stop the thefts at any cost, Braxton retains the services of eccentric sharpshooter Robert E. Lee Clayton, who begins ruthlessly taking down Logan's gang.

A fledgling actress is lured to a remote mansion for a screen-test, soon discovering she is actually a prisoner in the middle of a blackmail plot.

After incurring the wrath of the mob, a comic flees Detroit for Chicago taking the name "Mickey One" from a stolen Social Security card from a homeless bum he witnesses being beaten up and robbed. As he returns to the stage and becomes successful, he fears that the mob will track him down. He wishes to square himself with the mob, but doesn't know what he did to anger them or what his debt is.

This story of four working-class kids in a small industrial town--who go their separate ways after high school in the innocence of 1961 and come together again at the end of the turbulent Sixties--is as much about the coming of age of America as it is about the changes the characters go through. The four moxia.cc friends of the title are thoughtful Danilo, a Yugoslavian immigrant with dreams of being a writer and a scholar; Tom, good-looking and athletic, who is bound for the army; cautious David who has mixed feelings about staying in town and joining the family mortuary business; and lovely, ditzy, exasperating Georgia, who tries to inspire all of them with her longings for a life of Bohemian adventure. It is told through the eyes of Danilo, whose story is loosely based on the writer Tesich's own life growing up in Bloomington, Indiana.

Arlo Guthrie's song is converted into a motion picture. Arlo goes to see Alice for Thanksgivng and as a favor takes her trash to the dump. When the dump is closed, he drops it on top of another pile of garbage at the bottom of a ravine. When the local sheriff finds out a major manhunt begins. Arlo manages to survive the courtroom experience but it haunts him when he is to be inducted into the army via the draft. The movie follows the song with Arlo's voice over as both music and narration.

Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”

When a crooked sheriff murders his employer, William "Billy the Kid" Bonney decides to avenge the death by killing the man responsible, throwing the lives of everyone around him into turmoil, and endangering the General Amnesty set up by Governor Wallace to bring peace to the New Mexico Territory.

The escape of Bubber Reeves from prison affects the inhabitants of a small Southern town.

The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.

Jack Crabb, looking back from extreme old age, tells of his life being raised by Indians and fighting with General Custer.

A Texan with a secret past searches Europe with his son after the KGB kidnaps his wife.

1967 film by Arthur Penn