Two runaway lovers are wanted by the police and a bunch of crooks. Unknown to them they carry a powerful evidence that can expose a dirty political plot. The only person who can help them is a thief who himself is wanted by the police.

After her husband, Ravi Malhotra, is killed, Sudha lives the life of a widow with her brother, Mahesh, and Bhabhi, Kamini. A new tenant, Ajay, comes to her rescue when she is molested by Bhavani's brother, both fall in love and decide to get married. Kamini initially opposes this match, but subsequently relents and both get married. Shortly thereafter she gets pregnant and it is then she finds out that Ajay is not who he claims to be, and may have been responsible for killing her husband.

1994 Indian film by Guddu Dhanoa

Chandu is a petty thief who comes across Satya, an innocent girl who unwittingly comes across a way to a huge amount of money stolen from a bank. While the gang that robbed the bank go after her for the clue, one member dies in her apartment and she believes she's the one that killed him. Every one including the original gang that robbed the bank, the police and now Chandu and Satya go after the money.

AMMORU manages to combine all the usual Bollywood pre-occupations (marriage, familial bonds, hinduism) with an amazingly wild mythological fantasy storyline, some great CGI special effects, and quality production, to form one of the most interesting films to come out of India in a long time.
The prologue, as we watch a Shiva-style goddess become Ammoru, the protector of a village, sets the tone well, with the actress giving an engaging Brigitte Lin style performance. Unfortunately, she has little else to do for much of the film.
The central drama concerns a girl who witnesses an evil sadhu attempting to bury a virgin alive, in a bid to gain magical power and riches. The sadhu's mother, unhappy he has been jailed for life, vows to get her revenge on the girl, and proceeds to make her life a misery. This first half of the film works well, with great performances by the evil family, and the special mystical effects used sparingly but effectively.
It shifts tone for the second half, with Ammoru manifesting herself as a child to save the girl, and the sadhu himself being released early and seeking his own revenge. The film eventually begins to submit to standard Bollywood conventions, but redeems itself by upping the fright-factor and the crazy special effects, and bringing back the original adult incarnation of Ammoru to kick some ass!
AMMORU will be of interest to world viewers, as it gives a fascinating insight into the strange culture of southern India, a world where demons, goddesses walk among us as avatars, and it manages to do it without resorting to lowest-common-denominator movie-making as in 99.9% of the other movies coming from the sub-continent.