1962 film by Fernando Palacios

1981 film directed by Pedro Masó

1982 film by Javier Aguirre

1962 film by José Luis Sáenz de Heredia

1962 film directed by Antonio Isasi-Isasmendi

1975 film

Julia (Verdú), una madre soltera, es bailarina de un club de striptease. Una noche se encuentra en su coche a un atracador herido con un botín de medio millón de euros. Cuando el chico muere, ella no duda en adueñarse del botín y abandonar el cadáver. Pero Antón, un detective privado que busca ese dinero, irrumpe inesperadamente en la vida de Julia alertado por Concha, la canguro de la hija de la bailarina. Desesperada, Julia pide ayuda a Luis (Àlex Brendemühl), un hombre que acaba de conocer. (FILMAFFINITY)

Enrique is a gym teacher who along with his sister want to start a musical career with the support of their grandfather, a great scientist who wants to stop an evil despot from getting an artifact that would endanger the entire world.

In order to solve economic problems, "Leguineche" family decide to move to France with their limited belongings.

Ana is Catalan, daughter of a bourgeois family and works in a studio in advertising. She is 38 years old and has only lived with her husband, with whom she has a relationship cold but accepted by both. Although his family is opposed, decides to leave her husband and takes a vacation with her daughter Barbara, of 12 years, in order to leave behind all the past and start a freer life, with fewer ties, less conventional.

Amador se ayuda a sobrellevar la monotonía de su vida provinciana sonando con un viaje a Torremolinos, donde podrá seducir a bellas veraneantes. Los principales obstáculos que impiden materializar su sueno son la falta de medios económicos y la certeza de que a los 40 anos le queda poco tiempo para rentabilizar sus encantos. La forma más fácil que ha encontrado para obtener dinero es seducir a mujeres a las que después asesina. La carrera criminal del trágico Don Juan se detiene al conocer a Laura.

Una empresa de seguros española es absorbida por una multinacional con sede en los Estados Unidos. Desde ahora, los empleados tendrán que amoldarse a las costumbres norteamericanas y deberán asistir a las clases que les imparte un profesor contratado para ese propósito. Los nuevos españoles poco tendrán que ver con los que conocíamos hasta la fecha...

When Michel gets the life-sized sex doll he ordered, shipped directly from Japan, he is only intrigued by it at first. Then the silent unresponsiveness of the thing begins to haunt him, and he finds himself reacting to it as if it were an equally unresponsive living woman. As time passes, more and more of his life is spent trying to satisfy or placate its relentless silence, and he goes somewhat mad. He dresses the doll and takes it with him wherever he goes. When his usually very tolerant wife discovers what is going on, her jealousy knows no bounds and she attempts to imitate this threatening love-object. The light-hearted quality of this addle-pated fantasy darkens quickly when various neighborhood men attempt to put the doll to its originally intended use.

After the death of General Franco, the Leguineche family leaves their estate of Los Tejadillos, where they have remained for decades in voluntary exile, with the purpose of returning to Madrid to actively participate in the social events of the aristocracy and to get closer to the closest circle of the Spanish monarch. The obsession of the old marquis is centered on getting in touch with the most illustrious surnames, to ascend socially and to resume the pomp and courtly life that his family lost a long time ago. To this end, he decides to move into an old palace he owns, located in the center of the capital, but not before overcoming the difficulties posed by his wife, who deeply hates both her husband and her son. To regain control of the palace, the Marquis of Leguineche tries to handicap his wife, arguing an incurable mental illness, and then undertake a reform of the place in order to adapt it to aristocratic life.

贝尼托•弗莱雷（由José Luis López Vázquez饰演）是加利西亚地区（位于西班牙西北部）的一位商贩，同时也干些杂活，如给人带路、传递书信。但不为人所知的是，这位外表老实、忠诚的小贩，却是传说中吸血的狼人。不幸就这么发生了…… 本片改编自Carlos Martínez-Barbeito的同名小说，系由发生于19世纪中叶的真实历史事件改编而来。作品虽然以狼人故事为蓝本，却不走惊悚之路，而高举现实主义的大旗。影片获得了当年（1970）西班牙巴利亚多利德（Valladolid）国际电影节的San Gregorio奖。

本片改编自1933年发生在西班牙的一桩轰动一时的真实事件。欧洲女权主义运动先驱Aurora Rodríguez Carballeira（出生于1879年）因失望或者说理念不和，在绝望中谋杀了她视为匠心之作的，天赋异禀（8岁时就会说6种语言），年仅18岁的亲生女儿Hildegart（在母亲的熏陶和培养下并且继承了父母优秀的遗传基因的Hildegart在语言，文学，法律和哲学方面均造诣非凡。13岁就被著名的马德里大学附属法律学校录取，在校期间她还给哲学专业的学生上过课。Hildegart短暂一生里最引人注目的作为是担任西班牙社会主义工人党的领导以及观念超前的欧洲性改革运动的发起人（恰恰是后者高调的自由派女权主义理念同其母的保守的激进派思维产生了剧烈的冲突，部分导致了悲剧的发生！））。最终Aurora被判刑26年，1955年老死于一家马德里的精神病院。

The frustration and vital weariness of Michel des Assantes, a prestigious plastic surgeon in Paris, is unbearable: he has a wife whom he does not love, a son who is foreign to him and friends whom he despises but, at the same time, he is incapable of taking his own life. One day, he buys a bike from a bizarre cyclist who was to make the Paris-Timbuktu route and sets out to make the journey: then, Timbuktu becomes for him the Promised Land.

At the beginning of the XX century two men from the Spanish countryside were condemned for a crime they swore they hadn't committed. After endless sessions of torturing they confessed.

巴勃罗是一家保险公司的职员，碌碌无为干了多年。在家，也是同样的平坦无奇，按部就班过着日子。想富是常人的心理，于是巴勃罗私下里也干着伪单的勾当，将保费私入囊中。有一次，他接待了一个只养车不开车的客户要给车上全险，他认为这是个发财的机会。反正那个老头年事已高不会出现意外，哪知深夜的盗贼让这一切成为恶梦。 盗车贼意外撞损了那辆名贵跑车，维修费高达50万。麻烦来了，小利变得大出血。巴勃罗这下要赔50万，正巧的是，他听说表哥莱昂继承了100万的遗产，于是打上了莱昂的主意。这个堂兄是个生活在幻想里的傻蛋，1973年的一天，他在伦敦看演出时，偶然遇到了歌手詹尼丝·乔普林和约翰·烈侬，从此成了他们的疯狂歌迷。莱昂的店子里收藏着他们的有关物品，他依旧相信乔普林的那句话，他们会回来。巴勃罗由此得到灵感，找了个失业演员冒充烈侬，让自己的妻子布丽吉特冒充詹尼丝，让他们去骗莱昂“死人复活”，并且要钱录新歌。 但是他发现，事情慢慢超出了他的预期。演员沃尔特演列侬，可是，布莱吉特看完乔普林的录像后，无法接受这样的形象。先是演员辞职不干，接着布丽吉特迷上了唱歌。对于两个扮演者而言认同扮演的意义在于超越自己卑微和乏味，那是生命新的高地。这远比金钱和利益重要，因为有些感觉是金钱永远买不到的。继而巴勃罗发现莱昂已经把钱用光了，在巴勃罗一步步进入绝境的时候，却发现自己摆脱了过去那种一成不变的生活，他明白了自己需要什么，可以开始新的生活了。 精彩视点： 作为塞缪尔·邦舍泰的电影处女作，可以算得出手不凡。情节本身生动有趣。每个演员的表演都极出色。影片充满法式幽默和狂想，有一点夸张，不过温情脉脉。玛丽·特兰迪南是整部电影的灵魂，毫无疑问她生前是个十分迷人的女人，导演塞缪尔·邦舍泰是她的十年前的情人。事实上，《詹尼丝和约翰》这部电影，就是导演塞缪尔·邦舍泰专门为她度身订做的。从一个拘谨害羞压抑不快乐的家庭主妇，到一个明朗自信肆放自我的詹尼丝·乔普林的化身，她诠释得很让人信服。 这个剧本，列侬的妻子大野洋子也特喜欢，所以几乎是让塞缪尔免费在电影里使用了列侬的形象。