“Last Night I Conquered the City of Thebes” begins with Antonio and best friend Jota, 16 or 17, who, one cold Winter afternoon, visit some Roman baths. At nightfall, when people have gone and there is no trace left of a contemporary world, Antonio confesses to Jota that he’s afraid they are no longer fronds

Katarina and Igor are actors who are together both on and off the screen. Blinded by flashes and deafened by applause, they, although inseparable, did not hear or see each other in a long time, until the award ceremony for the best series of the year, where the whole team will gather. There, everything will be revealed - the good, the bad and the ugly of the film and TV industry in Serbia today. It will become clear that their lives are a bigger melodrama than the one they acted in.

Belgrade, 1996. During the student demonstrations against the Milosevic regime, 15-year-old Stefan leads his own revolution in the heat of events: accepting the unacceptable, seeing his mother as an accomplice in the crime and finding, despite the love he feels for her, the strength to confront her.

当女裁缝安娜把蛋糕放在餐桌上时，她未成年的女儿伊万娜摇了摇头，转身走了。她的丈夫乔文也希望她放弃这个话题。根据医院的说法，安娜用这个姿势庆祝她儿子的生日，他在儿子出生后不久就去世了。他现在20岁了。安娜和许多其他塞尔维亚妇女都有同样的命运，她相信自己的新生儿被人从她身边偷走了，这样婴儿就可以被非法收养以换取金钱。一条新线索给了安娜再次希望的理由。 几年前，塞尔维亚爆发了一场骇人听闻的丑闻；由于当局继续阻挠调查，该丑闻的解决仍在进行中。几十年来，在数千起系统性儿童盗窃案中，据说医院在医生、殡仪馆老板和政府雇员的秘密网络的帮助下出售新生儿，并告知父母他们的孩子已经死亡。Miroslav Terzić的电影以女主角的表现力和动人的剧本为特色，精心演绎了一个失落和希望的故事。

青少年法鲁克和朋友靠帮黑手党做事为生，直到他遇到中产阶级女孩莫娜，一段青春期的浪漫爱情由此萌发。影片徘徊在惊悚片和童话故事之间，灰暗现实与迷人梦境互相交织，极富油画质感的布光、舒缓的钢琴旋律衬托出年轻人的迷惘与哀愁。波黑导演伊戈尔·德尔利亚凭借一个浪漫爱情故事之壳，展现战后萨拉热窝的社会氛围，以及不同阶层的生活状况。本片入围2021年柏林电影节新生代青年竞赛单元。