Countess Ysabel is a young and rich woman with many suitors. An elegant and adventurous baron has managed to win her heart, but she anyway continues to play with other men’s feelings. Nemesis hits her when a young man with a broken heart kills himself, and the baron at the same time reveals a horrible secret. Ysabe'ls world seems to fall apart.

Marriage between Margit and artist Erik Lind is interrupted by her infatuation with squire *Arvid Sund. She gives up the relationship because of Erik's illness and death. Arvid's brother however, brings the two back together.

When the old, wealthy Doctor Schön takes Lulu under his wing, he has no idea that she will be his certain death. Young and beautiful, Lulu is endowed with tremendous erotic charisma that utterly enchants any man in her reach. Although Schön sees disaster approaching, he cannot let go of her. (Stumfilm.dk)

Engelein is a comedy of deliberately mistaken identity. If Jesta, a 17-year-old, can play the part of a 12-year-old, her family will gain a large inheritance from a rich uncle from Chicago. Her unruly “play-acting” for the uncle is preceded by an earlier incident in the film that results in Jesta being evicted from her girl’s school. Wearing a long, woman’s skirt, she climbs up a ladder and onto a thatched roof. She reaches over the top of the wall to kiss her boyfriend, who appears from the other side. However, Jesta is caught by the headmistress, and her forced descent is precipitous. Pulled downward, she reveals a great deal of a black-stockinged leg. She looks distinctly sexual as she falls into the matrimonly arms of the law, whose duty is to enforce the rules of female decorum.

Film star Ruth Breton has a habit of falling in love. When dating Walter she meets Von Zornhorst. When Zornhorst discards her, she pines away. As a last token of his love for Ruth, Walter writes a play for her, but during the final act of "Pierrot's Death", Ruth expires.

1913 film by Urban Gad

Jenny, a cleaner, is seduced by a local playboy, Edouard. Jenny's parents reject her after she spends the night with him. She finds a job as a vaudeville dancer, but ultimately winds up in the gutter.

Stella, a circus princess, has two suitors: young, handsome Count Waldberg and the greying, hidebound jeweller Hirsch. Stella’s love for Waldberg drives Hirsch mad with jealousy. He will stop at nothing to be near the woman of his dreams. When the count loses a staggering sum to the jeweller in a gambling duel, Stella embarks on a fateful mission to save her beloved’s honour. (Stumfilm.dk)

When Hedda is about to appear on stage in Ostende she borrows a piece of jewelry from her fiancé, de Rochord. When a gang of thieves steals it, he calls off the engagement, but Hedda solves the crime singlehandedly and the two are reunited.

1921 film directed by Svend Gade and Heinz Schall

Magda, a piano teacher, meets Knud, a parson’s son, who invites her to spend the summer at his parents’ parsonage. When a travelling circus stops in the village, Magda leaves the meek Knud for the dashing circus rider Rudolf. But circus life with Rudolf quickly turns out to be anything but happy, and Magda comes to a tragic end. (Stumfilm.dk)

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.