Based on the classic 19th century tale by German writer/composer E.T.A. Hoffmann, the film investigates the tale's themes of obsession and madness, emphasizing expressionist imagery and theatrical style. The story relates the life of the young student Nathanael, whose childhood memories are haunted by a sinister man. As a child, Nathanael believed this dark figure to be the mythic Sandman, who puts children to sleep by stealing their eyes. When confronted by this same evil presence as an adult, he is pushed toward madness as he tries to confront his childhood fears.

Armand seduces one woman after the other. However, he is supposed to consolidate his family's finances by marrying Amelie, a bankers daughter.

A terrible accident robs the successful artist Imhoff of his sight—a jet of flame shoots out of the kiln where he hardens his sculptures, and his career seems over. An attempt to surgically restore his sight fails. While he lies in his sickbed, the sensitive nurse Agnes tenderly cares for her patient. She gives him courage when he is on the verge of despair. Thus, a tender love slowly develops between patient and nurse. Eventually, Imhoff and Agnes marry, and his first attempt at sculpture, even in his blindness, is to be a sculpture of his wife's face. However, since Imhoff has never seen Agnes, she fears he will create an idealized image of her that she cannot live up to. Therefore, after a second operation, he initially conceals the fact that he can see again. He wants to "get used to" his wife first... But how long can he maintain the charade?

1966 film by Will Tremper

On a trip through the Salzkammergut, a couple singing pop songs tell the story of another duo and their difficult path to marriage: he was into light entertainment, while she was into serious art.

A bickering husband and wife decide to go to a lawyer to get divorced. When in the office, they present their sides of the same story, of which they are wildly different.

Entrepreneur's daughter Renate runs away from home because she does not want to marry the American textile manufacturer chosen for her. Her father's employees take her on a business trip to the Black Forest. There is not much work done on the trip, but everyone gets their money's worth.

1961 film by Hans Grimm

Bruno Stiegler, a boxing promoter with a disreputable past, returns from America to Berlin to make some big things again with his friends. Fatally, he is always preceded by some gentlemen from better circles who are developing amazing criminal activity in their old days. They are led by Oberlandesgerichtsrat a. D. Herbert Zänker, whom it still hisses, that he could bring in his term Bruno never behind bars.

1970 film by Franz Antel

A successful author, who was educated by private teachers in his home instead of being sent to school with other boys, realizes he missed out on a lot fun in his younger years. He decides to make up for this and attends school classes disguised as a pupil.

The daydreaming tailor Wenzel is fired from his job, because the fancy frock he was supposed to cut for the mayor, he instead made for himself. He is allowed, however, to take the frock, which he appropriated for himself and he puts it on as he leaves the shop. A puppeteer picks him up in his coach and addresses Wenzel as "Count". So is he received in Goldach, where people think he is Count Stroganoff, the ambassador to the Czar of Russia.

1971 film by Werner Jacobs

1970 film by Harald Reinl

1968 film by Werner Jacobs

1969 film by Harald Reinl

1968 film by Werner Jacobs

Berlin tongue encounters Munich lifestyle. A comedy around Oktoberfest. Movies, FRG, 1951 Fita Benkhoff, Paul Kemp, Liesl Karlstadt, etc. A Berlin producer of nerve healing, vitamin-enriched and expanding its life-prolonging lemonade stand in front of all the Schottenhammel at the Oktoberfest on - under the slogan helps Berlin Munich: an intolerable provocation. And then come the Saxons ... Turbulent comedy about beer, Oktoberfest and a lot of originals from Germany!

Leni Gruyetin, a resident of Nazi Germany, lives a tumultuous life as she bears witness to the fascist regime of the Nazis.