Didier Konings’ simmering mediaeval horror Witte Wieven explores the confluence of religion and patriarchy in an excessively puritanical Dutch village. Blamed by her community for being childless, Frieda immerses herself in prayer and ritual. When she returns unscathed from the forbidden forest surrounding the village, having evaded a lecherous butcher, she is condemned as an agent of the devil. Frieda, however, finds new faith in the dark powers that inhabit the woods. Shot in a reduced colour palette at the edge of visibility, Konings’ gripping film constructs a convincing pre-modern society whose practices it elucidates with patience and attention. Although set in the Middle Ages, Witte Wieven displays an unmistakably contemporary spirit, crafting a feminist parable about women discovering new ways of understanding their lives and the world. 源自：

安和汉娜为逃离灾难到了一个与世隔绝的荒凉小岛。在海滩边她们发现了一所废弃的房子。对于相爱的安和汉娜来说，距离既是一种必需，也是一种折磨。汉娜脆弱的身体状况也时不时提醒着两颗孤独的心。。。

荷蘭一場水災，促使年輕小伙子Gauke連踩五日單車來到意大利小鎮阿普利亞（Puglia）謀生，言語不通文化差異通通不成障礙，憑着力大如牛的身軀及浪漫性格，追到鎮上最美麗的女人，成功單挑意大利黑幫，還將荷蘭國花鬱金香移植當地，成為叱吒一時的風雲人物，但卻突然不知所蹤。 三十年後，鎮上居民發現某神祕女子與這位家傳戶曉的風雲人物有着非一般的關係，再次揭開這個夢幻般的傳奇故事。