在美国人民努力适应祖国人的统治之时，戈多金大学新来的校长鼓吹一门能让学生们变得比以往更强大的新课程。凯特和山姆被视为英雄，而玛丽、乔丹和艾玛在经历了数个月的痛苦后，回到了课堂。人类与超人类之间的战争正在酝酿，三位主角发现了一个始于上个世纪六十年代的秘密项目，而且该项目也许对当下仍有重大影响，不管如何，玛丽都被牵涉在了其中。

A mentally unstable man, who has been kept in isolation for years, escapes and causes trouble for his identical twin brother.

故事混合了超级英雄、幻想、黑色罪案、警察程序等多种流派的特点，故事发生在一个「到处是异能人」的世界中，所有这些能力随时可能成为混乱和谋杀的催化剂。主人公Christian Walker侦探和Deena Pilgrim侦探的职责是保护普通人类不受异能人的伤害，同时调查发生在异能人之中的刑事案件。这些拥有神一般能力的男女被人们普遍称作「有异能的人」（即本剧标题），他们借着闪电和火焰在城市上空展开对决，全然不把下方的凡人放在眼里（当然，凡人也毫无察觉）。Christian Walker是一个表面上看起来黑暗的、充满暴力的执法者，但表面之下隐藏着一颗正直的心。他喜欢先做，再思考。他总是衣冠楚楚，充满魅力，就像一个褪了色的摇滚明星。他曾经拥有超能力，但在与一个超人凶手搏杀时失去了所有的力量。今天的他星光不再，依靠当侦探来混饭吃。他对异能人世界有着深刻的认知，这对他调查案件很有帮助。Deena Pilgrim美貌但是尖酸，她年纪轻轻就事业有成。她很容易被激怒。

这是一个超能力者和普通人共存的世界，祖国人、火车头、深海、梅芙女王、透明人和玄色隶属于全球最大的超级英雄公司沃特集团，在帮助政府惩奸除恶维护世界和平的同时，他们也以偶像的身份帮助公司赚取了难以计数的利润。休伊是一个平凡的男孩，她的女友死于一场意外，而这场意外的制造者正是火车头。休伊不愿意接受沃特公司潦草的致歉和赔偿，决定替女友报仇。

美国出版商Lewis Venable（罗伯特·卡明斯 饰）在听闻上个世纪的诗人Jeffrey Ashton的情人Juliana Borderau仍存活于世后，为了找到Jeffrey遗失的情书，他假装成普通的小说家，以房客身份住进Borderau家。一百零五岁的Juliana早已如风中残烛，再也不见当初诗中所描写的花容月貌，她与侄女Tina Bordereau（苏珊·海沃德 饰）一起住在宅中，过着与世隔绝的生活。侄女Tina对Lewis的到来十分不悦，一直对他冷若冰霜，与Borderau家交好的神父则劝Lewis快些搬走，以免导致悲剧，宅中的女仆更是神神秘秘，每当提到Tina小姐都惴惴不安。某个深夜，Lewis听到优美而孱弱的琴声，他循声而去，发现一个隐秘的房间，推开门后，披散着长发、身穿一袭白裙的Tina小姐出现在他面前，在那一刻，他感觉自己回到了过去，碰到了情诗中所描写的美艳卓绝的Juliana，而他自己则变成了Jeffrey。

A ruthless fashion designer steps on everyone in her way in order to reach the top of her profession. Eventually she is forced to choose between her ambition and the man she loves.
一个无情的时装设计师以她的方式踩踏每个人上位，以达到自己的职业最高水平，最终，她被迫在野心和所爱的男人之间进行选择

"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."

My Foolish Heart is an Academy Award-nominated 1949 film which tells the story of a woman's reflections on the bad turns her life has taken. It was directed by Mark Robson and stars Dana Andrews and Susan Hayward. Adapted from J. D. Salinger's 1948 short story "Uncle Wiggily in Connecticut," it remains the only authorized film adaptation of Salinger's work; the filmmakers' infidelity to his story famously precluded any possibility of film versions of other Salinger works, including The Catcher in the Rye.

Deprived of a normal childhood by her ambitious mother, Lillian Roth becomes a star of Broadway and Hollywood before she is twenty. Shortly before her marriage to her childhood sweetheart, David Tredman, he dies and Lillian takes her first drink of many down the road of becoming an alcoholic.

故事描述百万富翁塞西尔福克斯为了测验三个前任情妇是否对他仍然忠贞，骗她们说自己行将逝世，于是三人分头赶往威尼斯福特家中，不料富翁果然被杀。恶作剧变成精心策划的谋杀案，剧情便转往谁是凶手的路上发展。笨侦探和误导线索带来了一些笑料，但更多的时候是连篇对白，使节奏显得拖滞，剧情发展也未免故弄玄虚，成绩较预期的低。

Back Street is a 1961 film made by Universal Pictures, directed by David Miller, and produced by Ross Hunter. The screenplay was written by William Ludwig and Eleanore Griffin based on the novel by Fannie Hurst. The music score is by Frank Skinner. The film stars Susan Hayward, John Gavin and Vera Miles.
The story follows two lovers who have limited opportunities to get together because one of them is married.
It was nominated for Academy Award for Best Costume Design, Color (Jean Louis). Unlike the previous film versions, this one gives Susan Hayward plenty of opportunity to appear in Jean Louis's spectacular gowns. This was a trademark of Ross Hunter's remakes of older "weepies"; he emploied the same method in Lana Turner's versions of Imitation of Life and Madame X.
Of all three screen versions of Back Street, this 1961 production took the most dramatic license with the novel. It is different from both the 1932 and 1941 screen versions in many ways - changing the names of several characters and updating the story to what was then the present day. Good examples of how the plotline was sensationalized in this third version are the attempted suicide and the fatal car crash.

退役的牛仔冠军杰夫·麦克劳德同意在梅里特的妻子不希望的情况下指导新手牛仔选手韦斯·梅里特，她担心这项粗犷的运动的危险。

当三兄弟加入外籍军团以逃避过去的麻烦时，他们发现自己被困在一名虐待狂中士的指挥下，深入灼热的撒哈拉沙漠。现在，兄弟俩必须为自己的生命而战，密谋叛变反对暴政，并保卫沙漠堡垒免受残酷敌人的侵害。

Alex, a sailor on leave, recovers from a drink-induced blackout with a large sum of money belonging to Edna Bartelli, a b-girl who invited him home to "fix her radio." He tries to return it with the reluctant aid of June Goth, a sweet but oh-so-tired dance hall girl; they find Edna murdered. Not quite sure he didn't do it himself, Alex and June have four hours in the dead of night to find the real killer before his leave ends. Their quest brings them into contact with a sleazy kaleidoscope of minor characters; clues get more and more tangled.

格利高里．拉托夫导演的一部家庭伦理片。故事描述一名家庭女教师在女主人去世后，与男主人一起照顾家中四个男孩的故事。剧情没有新意，大团圆结局不出所料。但是故事流畅，时间跨度大，由小见大反应了大萧条前后美国社会中产阶级的生活。影片唯一的亮点是英格丽．褒曼让人倾心的清新形象，她凭本片开始在美国影坛立足。苏珊．海沃德则饰演顽劣的大儿媳妇而崭露头角。

建筑师卢克·米勒在得知女儿杀死了前妻瓦莱丽的情人后，抛下了手上重要的合同赶了回去。随着谜团层层揭开，卢克逐渐发现了导致悲剧的根源。本片的灵感据信来源于1958年发生在好莱坞著名影星拉娜·特纳及其男友和女儿身上的真实案件。

A man (Young) comes round after a car accident, and realises that a perfect crime is now possible: any movie with this scene can't fail. From this halfway point, the anxious mood of this rare noir thriller thickens fast. Jane Greer and Susan Hayward in turn tempt Young (a spineless louse) from his rich wife (Johnson). We know he's wretched, but is he guilty of murder?

After a New York City woman is sexually assaulted while walking home one evening, she struggles to accept the truth and rediscover the intimacy within her relationship.

芭芭拉（苏珊·海沃德 Susan Hayward 饰）是一位个性非常奔放的少女，天性爱玩的她平日里混迹于灯红酒绿的夜场之中，所结识的都是社会上游手好闲的闲杂人等，交际圈非常的混乱。芭芭拉自己也常常在违法的边缘试探，亦因为偷窃和伪造证件等行为而被判刑，只是这些违法行为并不严重，这让芭芭拉对违法更加心存侥幸。
某日，芭芭拉和另外几名犯罪分子正在实行他们邪恶的计划，哪知道这计划早已经被警察知晓，最终一群人被一网打尽。同伙们都觉得是芭芭拉引来了警察才导致他们被抓，于是统一了口径，一致进所有的罪行都栽赃在了芭芭拉的头上，这一次，芭芭拉没有从前那么幸运了，等待着她的是死刑。