Les (Mala Emde) lives life fast, spontaneously, and carefree. By day, she races through the city as a bike courier; after work, she's off partying with her friends. Stopping, pausing, or thinking about the future? Not for Les. At least not until her father, Bert (Christoph Maria Herbst) – with whom she has virtually no contact – unexpectedly shows up at her door and, after an accident, even hops on his bike for his daughter without being asked. When Les then learns of her unplanned pregnancy, she's completely thrown into a new reality. The expectant father, Tyler (Aaron Hilmer), would love a child, but unfortunately, he's still a child himself. Les's world is turned upside down – and Bert hasn't even told her yet that he's going to die soon...

2022 film directed by André Szardenings

television film

Emmi would like to cancel her subscription to "Like" magazine via e-mail. But due to a typo, her messages land in Leo Leike’s inbox. When Emmi repeatedly sends mails to the wrong address, Leo decides to inform her of her mistake. This marks the beginning of an extraordinary e-mail exchange, which can only be held between two strangers. Treading the fine line between complete strangeness and noncommittal intimacy, the two are soon sharing their innermost secrets and longings – until they need to face the unavoidable question: Will their feelings, sent and received virtually, survive the test of a real-life encounter? And what will happen if they do?

In their first case, the new Saarbrücken police commissioners Schürk and Hölzer deal with the murder of the potential new managing director of a family company. The family appears completely hostile and the victim's father has also died under mysterious circumstances. The background to the events seems to go back to the Second World War, when the company employed forced labor.