1981 film by Natuk Baytan

1977 film

1971 film by Duygu Sağıroğlu

"Karaoğlan - Altay'dan Gelen Yiğit" is the first adaptation based on a famous Turkish historical comic book by Suat Yalaz.

Kilink is between 2 rival gangs and manages to turn one against the other. All of them are after a precious microfilm and a big foreign treasure. Kilink proves to be the most perfect Fantomas of them all, changing disguises more often than he changes socks. At the same time, it's raining gorgeous ladies all over the place. Most of them rivals....All of them falling for him or off balconies, pushed by him. In a brilliant sequence, he punches a treacherous pussycat, strangles her with his bare hands and chucks her off a balcony. The film features the classic torture-the-tied-woman scenes. In one of them, even a snake is used for a quicker confession. Endless shootouts, car chases, murders, beat ups and plot twists make this sequel one of the best Turkish auctioneers ever.

1971 film by Metin Erksan

Üç tekerlekli bisiklet (Tricycle aka The Three-Wheeled Bicycle, I962) is a love story about a lonely woman with a small child and the man she hides in her house, who is chased and trapped, one of the staple motifs of Lutfi Akad’s cinema.

The film tells the story of a family that is on the verge of breaking up as a result of slander. Sabahat spends her days doing housework, taking care of her mischievous child, and dealing with her grumpy mother-in-law. Cemal, who returns home exhausted from work, struggles with Sabahat's complaints every night. Arguments between them become increasingly frequent. Mualla, their neighbor who has been in love with Cemal for years, takes advantage of this tense atmosphere. When Cemal kicks Sabahat out of the house after an argument, Mualla sees this as an opportunity to put her plan into action.

1975 film by Duygu Sağıroğlu

1972 film directed by Memduh Ün

1975 film

Atilla the Hun, Tarkan its power in order to bring the sword to the floor at the pursuit of the enemy's appointed.

After the Byzantine emperor's brother, Knight Alyon, is killed, Knight Andrea swears revenge and decides to take revenge on Battal Gazi. He first kills Ahmet Turani, then raids the village where Battal lives and the banquet hall, killing people. After killing his wife and kidnapping his beloved child, Battal Gazi takes revenge on the Byzantines. Battal Gazi, who had imposed tribute on the Byzantines and inflicted heavy losses with his incredible bravery, suffers an unexpected blow. The Byzantines set a trap for Cengaver, killing his wife and kidnapping his child. By drugging his son and hypnotizing him to turn him against his father, the Byzantines aim to pit father and son against each other. The young child is raised to believe he is the son of the Byzantine Alyon and to seek revenge on Battal Gazi, whom he believes to be his father's killer. Battal Gazi, however, swears to rescue his son at any cost and to mete out the punishment the Byzantines deserve.

Depiction of the life of the legendary Muslim Serdar of Malatya, Battal Gazi.

1988 film by Kartal Tibet

1983 film by Kartal Tibet

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

1982 film by Kartal Tibet

1979 film by Osman Fahir Seden