1954 film by Thomas Engel

1954 film by Harald Reinl

1952 film by Hans Wolff

1964 film by Karl Vibach

1935 film by Erich Waschneck

A private detective tries to find out how and why some convicts have mysteriously disappeared from the prison of Dartmoor.

After an automobile accident, in which a man is unrecognizably burnt to a crisp, his wife's only able to confirm the corpse's identity by his talisman: a small, white spider. However, soon, there are more corpses walking around than at a comic con convention and every single one of them was a white spider sitting on or nearby the body.

1957 film by Hermann Leitner

At the end of the 1950s, French documentarian François Reichenbach spent eighteen months traveling the United States, documenting its diverse regions, their inhabitants, and their pastimes. The result is a journey through a multitude of different Americas, filtered through a French sensibility.

The third form of a boarding school and the students of a neighboring school do not get along. Each side dreams up the craziest pranks to defeat the other. And when one day the high school students go as far as stealing the Gymnasium students’ essays and even burning them, daily school life really gets out of hand.

Set during the rise of the Nazi regime, Marriage in the Shadows is modeled after the tragic true story of Meta and Joachim Gottschalk. In the film, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin; Elisabeth in particular is adored by the public. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. When Nazi influence on the theater's management grows, Elisabeth is forbidden from performing. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him. Eventually Elisabeth is scheduled to be deported; instead of accepting ...

Immensee: ein deutsches Volkslied (Immensee: A German Folksong) is a German film melodrama of the Nazi era, directed in 1943 by Veit Harlan and loosely based on the popular novella Immensee (1849) by Theodor Storm. It was a commercial success and, with its theme of a woman remaining faithful to her husband, was important in raising the morale of German forces; it remained popular after World War II.