1997 film by Pere Costa i Musté

A comedy of manners that follows the daily miseries and constant micro-humiliations suffered by José Ramón and Berta, a married couple in whom no one, not even they themselves, has much faith.

The tale of a group of women (a sweet old lady, her religious niece, her servant and the latter's disabled mother), all so generous and selfless that they almost compete with one another as ferocious rivals to see who can help most and make the greatest sacrifice for the others' wellbeing. And we all know the well-known saying: 'The road to hell is paved with good intentions'.

Bernabé, cuarentón que trabaja como director creativo de una importante agencia de publicidad, es un hombre casado. Aún así mantiene relaciones con una amante, y trata de conquistar a Lucía, una atractiva ecologista. En plena crisis de los cuarenta está obsesionado con seducir a todas las mujeres que se le ponen a tiro. Pero todo le sale al revés y su mujer le deja.

这是一出发生在瓦伦西亚监狱的喜剧，全剧充斥着政治色彩，故事大意是：某天监狱里为政治犯们举办了一场晚宴，很多媒体也应邀出席，每个参加晚宴的人都有各自的目的，于是一场荒唐的晚宴就开始了。

After finding an enormous amount of money hidden in a dead man's apartment, real estate agent Julia must face the wrath of the very peculiar inhabitants of the apartment building, who will stop at nothing to get their hands on the money.

As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.

Jose is a filmmaker putting the finishing touches on his latest production, a schlocky vampire picture. Feeling supremely dissatisfied with his vocation and heroin addicted girlfriend Ana, he arrives back at his apartment to discover a package from his friend Pedro. It contains a reel of super 8mm film, an audiotape and a key to Pedro’s apartment.
Flashbacks show how these two men, both of whom share an extraordinary passion for filmmaking, met at Pedro’s family home where Jose was location scouting. Pedro, who’s never without his super 8mm camera, believes life is only worth anything if it’s caught on film. Furthermore, he’s tapped a hidden power inherent in film images that causes him to experience a mystical state of “Arrebato,” or rapture. Before long Pedro becomes addicted to this sensation, eventually cutting himself off from the outside world and devoting his life to filming himself in bed. His camera in turn grows increasingly powerful as it saps more and more of Pedro’s life force, eventually developing the capacity to turn itself on and off and, more alarmingly, literally erase objects—and, inevitably, people—from existence.
All this is evident on the film and tape Pedro has mailed to Jose, who in the end decides to visit his friend’s apartment. He arrives to find Pedro’s camera set up and running, but its owner nowhere to be found...

An array of outrageous people, including a desperate nymphomaniac and a terrorist with an acute sense of smell, seek love and happiness in Madrid.