“ Gildo (Paolo Villaggio) is a moralistic magistrate who shuts down red light districts in this sex comedy. His enemies conspire to photograph him in a compromising position with sex goddess Lola (Serena Grandi). Laura Antonelli plays a wealthy woman who believes her husband has drowned. A priest is forced to put his mouth on a topless nun as the battle of morality verses misbehavior unfolds.

1962 film by Stefano Vanzina

This is Corbuchi's third entry in a series of cop-thrillers featuring Thomas Millian as inspector Nico Giraldi. This series features more humor than other Italian cop-thrillers. They also contain less violence and less of a political statement. And worst of all there is hardly a story-line. Instead the movie focuses on Millian as a fun-loving member of a anti-theft squad. This particular movie is even a step down from it's earlier entry's. If you're looking for comedy go for it, but if you're looking for a good example of an Italian cop-thriller with lots of action, violence, corruption, and a revenge-theme you'll have to look elsewhere.

While keeping an eye on his small time crook brother in law, Inspector Nico Giraldi gets involved in a murder case set in the world of Formula One racing. Giraldi is suspended for trying to cover up for his brother in law and becomes afraid his wife and son may be targeted next. Therefore he calls in the help of his childhood friend and chief informant, Venticello.

The decurion Randus holds himself so well in the command of his troops, that Caesar promotes him to centurion. He is subsequently sent to Egypt, to keep Caesar informed on the actions and intentions of co-triumvir Marcus Licinius Crassus - a man too rich, and ambitious, for Caesar's comfort. A fateful sea trip from Egypt to Rome forces Randus in captivity by mercenary troops, and leads a revolt by which he gets freedom for himself, and all the other slaves. Through an amulet he received from his late mother, a man who had fought by Spartacus' side, identifies the young man as Spartacus' and Varinia's son. At first reluctant to accept this story about his origins, Randus will be forced by the circumstances to repeat the feat of his father, twenty years later.

I didn't much like this film when I first saw it ten or twelve years ago, but I was probably expecting a serious, fast-paced, violent Italian crime film as many of Tomas Milian's mid-70s films were. However this one emphasizes the comedy at least as much as the action, although it is still a successful package and the comedy/crime mixture works well. I haven't see all the later films (which ran well into the 1980's) with Milian as unconventional police inspector Nico Giraldi, but the one after this THE GANG THAT SOLD America, which also features a lot of US location shooting, does not work that well in my opinion and is full of dated pop culture references and unfunny humor. The first scene of LITTLE ITALY--as a dirty old man is looking through binoculars at a lady undressing...while his apartment is completely stripped clean by robbers only a few feet away from him!--sets the tone for the film. The plot, such as it is, takes Milian to New York and eventually to Las Vegas (and eventually to the gas chamber in Nevada in an outrageous climax!), and there's lots of great location footage of him walking along the old Vegas strip circa 1978. Eli Wallach appears (though his voice doesn't!) as a mafia don, in a role that didn't require much of this fine actor, but he plays comedy well and is good in the scenes involving his underlings, his red-haired wallflower oversexed daughter, and Milian (the scene in the Italian restaurant where Milian throws a pizza in the face of one of Wallach's underlings is classic!). Bombolo, who appears in a number of these later Nico Giraldi films, is a fine comic foil for Milian, and they have a good chemistry. I've yet to see the 1980's entries in this series (any kind soul out there with extra copies?), but in LITTLE ITALY the series still has some life in it, and Bruno Corbucci makes the mix of lowbrow Italian comedy and Italian police action work well. Not a classic, and action-oriented fans will be let down, but Milian fans will enjoy it.

In Italy this is considered a B-movie. Anyway it is a sort of thriller, very rich in strange and funny characters, sometimes a little exaggerated. Dialogues are often based on Roman dialect which could be difficult to understand (sometimes it is even for Italians). Among conversations, there's a lot of gags, especially between two main characters, Nico Giraldi and Venticello, representing people coming from the same poor, post-war background. One of them is a policeman (Nico), the other one (Venticello) is a definitely unlucky, ignorant, little thief. Once were friends. In a way, they still are. The main soundtrack theme is obsessive and distressing, creating a suspense that's difficult to imagine. I saw this movie several times, but from time to time I like to watch it again, just for fun. A movie rich of rude dialogs and scenes that make you laugh even before any of the characters has the chance to speak. It could be considered a B-movie but I think that soon it will be re-evaluated.

A young singer secretly gets married since he does not want to let his fans down. After a while the gutter press make up a love story which seriously worries his young bride.

When a cynical journalist accepts a wager that he won't survive the night in a haunted castle, it unlocks an odyssey of sexual torment, undead vengeance, and a dark seductress who surrenders the gravest of pleasures.

A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.

1966 film directed by Sergio Corbucci