Gastón Fernández has arrived at 34 without too much to show or brag about. He has no money, job, girlfriend, friends or life plan. He's a composer that doesn't compose. The one-time "most likely to succeed" at Santiago's Musical Conservatory has passed from promise to failure. He feels he is beginning to wander alone. Isolated and detached. Gastón feels that everyone judges him and see the word loser tattooed on his forehead. At the same time, an alter-ego, a sort of doppelgänger, haunts him.

故事发生在1986年平安夜，博尔哈有点早熟，同时他对电影也抱着极大的热情。 当他跟他的家人一起庆祝圣诞节时，家人之间的紧绷关系，流动的酒精，压抑的欲望，导致了一个掩埋已久的家庭秘密的爆发。 这部节奏缓慢的电影既是一部吸引人的家庭情景剧，也是一部模糊的色情惊悚片。它的主题是，无论是在流行文化还是性幻想等方面，热情和欲望是如何控制我们的生活的。

A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarized in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini. The method of these artists consists in being discreet witnesses of the morbidity and intimacy of those men who contact them (through Social Networks) with the desire to be portrayed naked of all prejudice. The clothes fall, the bodies are freed and the souls end up being captured by the lens of this intensely cultured, cinematic and urban couple.

青年男子海克特来到墨西哥城，希望度过两天的放纵周末。他与死党约好拍艺术裸照，结果却被死党放了鸽子。海克特独自鼓起勇气，辗转在不同的声色场所，对所有艳遇一概说Yes，在放浪形骸中迎来一波又一波的高潮...