四十出头的克莱尔·安德里厄是个天性阳光、人见人爱的单身女人，直到相熟客户布鲁诺邀请她共进晚餐时，潜藏心底的重大秘密开始浮上水面。法国导演奥利维尔·亚罕对其2015年拍摄的轻喜剧《沙之堡》中一个毫不起眼的小角色克莱尔深入挖掘，从而衍生出全新故事线。影片延续了亚罕诗意、浪漫、幽默的法式风格，表现隐藏在温柔女主时而爆发的疯狂行为背后的可怕创伤，以及她是如何自洽摆脱困境的心路历程。

37岁的西蒙是一位经验丰富的医生，在胸肺科工作的他每天都与死亡擦身而过。如很多专业人士一样，他早已学会如何保护自己，冷静面对死亡。但当他的母亲病危 在另一间病房接受治疗时，他职业上的冷静与私人感情却产生冲突。这推翻了西蒙一直以来的所有坚持和信念。

France, November 2015. After the Paris terror attacks, the state of emergency is proclaimed to facilitate the work of police forces. 4 AM. A policewoman helps colleagues to conduct a search, but soon finds out that things aren’t going the way they’re supposed to.
DIRECTOR’S STATEMENT
I believe it is important that films make people look at what we don’t want to face as a society. I wanted to make a movie whose political impact stems directly from the staging, in order to denounce the violence of the permanent state of emergency we live in. A single long take to trap the audience in the sensory and ethical turmoil of a police search.

康斯坦丁（玛琳娜·佛伊丝 Marina Foïs 饰）已经四十岁了，在这个尴尬的年纪，她突然遭到了公司的解雇。丢了工作，孑然一身没有任何依靠的她顿时失去了全部的经济来源，她明白，想要东山再起，能依靠的只有自己。
当康斯坦丁得知家乡的房地产公司正在招聘经理人时，她决定放弃巴黎的梦幻生活，回归起点。她非常自信的认为，凭借着自己多年的销售经验，拿到这个职位是板上钉钉的事情。然而，让康斯坦丁没有想到的是，她的职位竟然被一个名叫奥黛丽（约瑟芬·约比 Joséphine Japy 饰）的女人给抢走了，而她获得这份工作的唯一原因就是她要比康斯坦丁更加的年轻和漂亮。

Since the age of 16, director Chloé Barreau has filmed her lovers. Living between Paris and Rome, she has snapped photos and made videos of every man and woman she loved. From teenage crushes to long-distance commitments, one-night stands and deep devotions, her cameras captured each affair, suspending that version of each pair forever together on screen. But every relationship has two points of view, so Barreau embarks on a remarkable method of autobiography to tell the full story of herself: she arranges for each of her exes to be interviewed on camera by a neutral co-author, so they can freely describe their versions of her, the woman they loved. Layering these present-day conversations with her rich archives of the same relationship, Barreau constructs an engrossing and thoroughly original history of her heart.

Marco Lopez, a former Neo-Nazi and skinhead, tries to leave his violent, racist and hateful past behind him.

Following the death of her younger brother during a police intervention, Malika embarks on a legal battle to ensure a trial takes place. However, her quest for truth jeopardizes the stability of her family.

At the Maison des Femmes, women victims of violence are cared for. Elsewhere, they are threatened, brutalized, raped, mutilated, their suffering ignored. Here, they are listened to, supported, helped and believed. Diane, Manon, Inès, Awa and the others will give them a helping hand until they can stand up again. As a team. Even if it means risking their own equilibrium.