An opera singer hides an American soldier in his house in Nazi-occupied Rome.

Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.

1935 film

Lyda is a prostitute with no education and no hope for the future. Unfortunately, this ungrateful job leads her to have an unwanted pregnancy, and once born the child abandons her. Lyda becomes obsessed with the life of her only child.

Archibald Burel, a banker, has had enough of his wife cheating on him, and with his best friend Hubert into the bargain! One day he has (at least that is what he thinks!) a bright idea : he asks Sonia, his cousin living in Poland but staying in Paris at the moment, to seduce Hubert. In these conditions, how could Lucienne not fall into his arms again? Unfortunately for Archibald, things do not go (at all!) according to plan : he himself falls for Sonia while Hubert manages to reconquer Lucienne! Dispirited, Sonia decides to return to Warsaw.

Bewildered, Don Camillo learns that Peppone intends to stand for parliament. Determined to thwart his ambitions, the good priest, ignoring the recommendations of the Lord, decides to campaign against him.

The occupation of Bessarabia by the Russians in 1940 separates an opera singer from her family, leaving her under Bolshevik rule until Romanian troops enter Odessa.