A shiny otherworld of holographic reverie pairs dollar store gift bags and haunting resound, unfolding an effervescent melancholy in three parts. Mesmerising RGB bling-bling for the cinema, featuring compositions for bowed vibraphone by Elliot Cole.

In Jodie Mack's Hoarders Without Borders gems and other oddities from the collection of mineralogist Mary Johnson are rapidly manipulated by ghost-like hands, producing a stunning, hypnotic take on the (super)natural sciences.

A choreographed motion study for twinkling trinkets: costume jewelry and natural wonders join forces to perform plastic pirouettes, dancing a luminous lament until the tide comes in.

The ultimate photo-kinetic stroboscopic spectacle. For prismatic glasses.

Interweaving the forms of personal filmmaking, abstract animation, and the rock opera, this animated musical documentary examines the rise and fall of a nearly-defunct poster and postcard wholesale business; the changing role of physical objects and virtual data in commerce; and the division (or lack of) between abstraction in fine art and psychedelic kitsch. Using alternate lyrics as voice over narration, the piece adopts the form of a popular rock album reinterpreted as a cine-performance.

Jodie Mack’s bracing 16mm montage film juxtaposes gleaming close-ups of electrical circuit boards with hyper-saturated images of a flower-littered landscape. In its rapid-fire presentation, the film offers a swift metaphorical representation of technology’s inexorable march.

Point de Gaze Jodie Mack 2012 USA | Format: 16mm | color | silent | 5 minutes Named after a type of Belgian lace, this spectral study investigates intricate illusion and optical arrest.—J.M.

A collaboration with Four Tet for Everything Ecstatic (Domino, 2005). Direct animation with stained-glass contact paper, ink, and acetate.

A playful trip around the world, through its fabrics and textiles and their place in a busy international market.