A troubled young woman hooks up with a money-crazed televangelist and becomes a rich, heavy-metal Christian rock star.

A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.

An exploration of social schizophrenia in which terrorists consult their mothers before planting bombs, and the head of the New York City bomb squad succumbs to his dominatrix.

Complete strangers meet in a room to act out their sexual desires.

A detective named Lydia Lunch investigates a band of corporate businessman who seek government defense contracts through real corporate wars and the manipulation of politicians. However, her investigations get her head deep, will she make it out alive

在本片中，神秘的暴徒绑架并折磨一名年轻男子。当影院灯光随着“黑盒子”的有害光线同步明灭时，观众反过来被攻击了。

2020 SXSW 西南偏南電影節 2020 鹿特丹影展 只要對70、80年代紐約音樂場景略有涉略，應該對莉蒂亞．蘭奇（Lydia Lunch）這個名字並不陌生。作為紐約無浪潮運動（No Wave）打頭陣的戰將，她與詹姆斯．錢斯 （James Chance） 一同合組的 Teenage Jesus & the Jerks及後者隨後成立的 Contortions 和DNA等樂團，以粗暴、富有攻擊性的嘶吼和噪音扯開音樂新頁。即便這種爆發式的音樂場景僅是曇花一現，為後世帶來的影響卻非常深遠。

本片並非僅是描述莉蒂亞．蘭奇傳奇一生的音樂傳記電影，對地下音樂場景十分熟悉的導演貝絲．比，選擇將鏡頭轉向年紀已屆六十的傳奇女歌手，為的是呈現莉蒂亞．蘭奇持續身體力行，衝撞體制、挑戰現況的姿態，以毫不願意妥協的態度，大聲疾呼女人可以蕩、可以慾望、可以比任何人都大聲的說「幹！」。