1972 film by Charles Belmont

1966 television film

Serge Menessier has been paid to shoot a reportage on his ex-wife's depression. Now remarried, he has accepted the job to pay his debts and maybe because he is still in love with her, a famous actress whose career he contributed to launch.

In 1944, in Paris, the leader of a resistance network is looking for the traitor who gave away a radio operator.

After a bank robbery gone wrong, a crook goes on the run across Belgium to escape the police, clear himself of a crime that he did not commit, and protect his girlfriend from a shady lawyer.

11th Century AD. In a world that burns with the heat of battle, a world torn apart by Crusades, one knight traverses the desolate wastes laid bare by bloody conflict. Prepare yourself for a descent into a brutal hell, where armies clash and blood flows like rivers, and where a sharp blade is the only means of defense against an army of evil.

Alain, "a young wolf", elegant and racy, is maintained by the princess Linzani. At the same time, he goes out with a girl of his age, Sylvie, who despite her bold attitude has never had a lover.

In the days following the D-Day invasion in Normandy, France, a British platoon leader named Saul (Gabriel Byrne) and his corporal (Paul Wyett) reach an isolated farmhouse and encounter a beautiful French girl named Belle (Marianne Basler). Love blooms between Saul and Belle, but the grim realities of war catch up with them when a French Resistance trio claims that Belle is a Nazi collaborator. Judge Reinhold appears briefly as the token Yank.

Six people find a mysterious mark in the center of their left hand and all independently go to Easter Island in hopes to uncover the mystery.

A young man is a collector of feminine conquests. One morning, leaving one of his mistresses he is addressed by one of his past flirts. As revenge, she denounces him later to the police as the murderer of her fiance who was found dead the same morning. With the help of his mistresses and some new ones he makes on the road, the young man goes in search of the man he thinks is the killer, then his blond consort with whom he fell in love at the first sight the evening before.

After his father is killed in a plane crash, Bart Cordell returns back home to France to claim his inheritance: to lead the industrial empire his father built. But when a prostitute tries to set him up for a drug smuggling charge, he is forced to accept that his father may have been assassinated and that the killers are out to get him as well...

In 1827, Berthet, the son of a craftsman and a young seminarian, was tried and sentenced to death for murdering his former mistress, the wife of a notable who had hired him as tutor to his children.

Marin Karmitz's avant-garde short film is a haunting tale about an alcoholic novelist facing a crippling case of writer's block.

Cette adaptation et réalisation de la tragédie d’Eschyle par Jean Prat marque une date dans l’histoire de la télévision française. Outre la somptuosité avec laquelle elle a été montée – musique de Jean Prodromides, orchestre philharmonique de la RTF, choeurs parlés, décors grandioses- l’oeuvre sera diffusée en stéréophonie (C’est la première fois que la RTF réunit les ressources de la radio avec celles de la télévision).Le choeur, principal acteur des “Perses” est dirigé par René Alix.Les masques portés par les acteurs, ont été concus par Cyrille Dives. “Librement inspirés des bas-reliefs persans contemporains d’Eschyle, ces masques ne sont évidemment pas destinés, comme les masques grecs, à amplifier les visages des acteurs, mais à leur donner une unité, un caractère hiératique et irréel”.Jean-Jacques Gambut n’a copié le vrai palais de Xerxès à Persépolis que pour le styliser.

2005 film by Philippe Garrel

After years of estrangement due to difficulties accepting his brother's sexuality, a man diagnosed with a terminal illness decides to reconnect. As the brothers grow closer, their renewed bond starts to alienate their partners, leading to emotional turmoil and strained relationships.

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.