The story of a singer who, at the peak of her fame, was in a car accident and ended up chained to a hospital bed. For 12 days, the rising star Anna Herman did not regain consciousness. In those days, she had to relive the tragic events of her childhood - the arrest of her father, accused of espionage, the wanderings of their orphaned family in Central Asia, the death of her little brother, the war and escape to Poland in the hope of hiding from her pursuers from the NKVD ... First love and first success ... None of the doctors believed that she would survive. And even if this happens, she was predicted to be completely immobile for the rest of her life. However, after 12 days in a coma, heaven gave her a chance to start life anew. And she did the impossible, becoming the "white angel" of the Soviet stage ...

Young Russian Prince Yaroslav fights the robbers, tribes and the invaders. He is the first to unite Russian lands and to create the original Russian state.

山梨花美丽但娇弱，其花期通常不超过十天；那些在二战后被送往俄国北部的战地清除炸弹的年轻姑娘们的生命也同样如此。她们都很年轻，她们的生命正在绽放，她们的心渴望着爱情……玛丽萨是一个有前途的艺术家；波利娜是一个年轻的寡妇，正学着在失去爱人之后继续生活…… 按照诠释主义的说法，《灰色华尔兹》并没有狡黠难以言语的隐喻，也没有布道义正言辞的人性，仅仅以一枚枚响彻银幕的“地雷”，轰鸣一桩发生在“前线”的拆弹任务。长镜头(Long Take)、慢镜头、静音，以及张弛有度的叙事节奏，《灰色华尔兹》仿佛一曲跳跃在“电影本体论”之上的俄罗斯民谣，清新隽永。所谓创伤美学、所谓政治阴谋，化腐朽为神奇一般地流觞在了人们的苦中作乐之中。用时髦的话说，一群“被‘向死而生’”的人们，随着情节的发展，部分地回到了他们的私生活之中。但是，这样的回归，得到的却是残酷的定格。