The great Beat Generation experiments took place in Tangier, the Moroccan city where William Burroughs, Brion Gysin, and the Moroccan painter Hamri taught Jack Kerouac, Timothy Leary, and Allen Ginsberg how to live outside the law. This DVD features one of the last interviews with Burroughs and previously unseen vintage footage of him in his prime during the 50s and early 60s.

This feature-length documentary is devoted to the life and art of famed jazz musician Ornette Coleman. Saxophonist, trumpeter, violinist--you name the musical instrument, and supreme stylist Coleman will make magic with it. At the time this film was made, Coleman had not turned out an album in years, though he was still active on the concert circuit. Filmmaker Shirley Clarke focuses on Coleman's appearance with the symphony orchestra in his home town of Fort Worth, Texas. Combining documentary footage, dramatized scenes, and some of the first music video-style segments ever made, ORNETTE chronicles his boyhood in segregated Texas and his subsequent emergence as an American cultural pioneer and world-class icon. Among those appearing in the film are William Burroughs, Brion Gysin, Buckminster Fuller, Don Cherry, Yoko Ono, Charlie Haden, and Robert Palmer. Clarke’s film is essential for anyone hoping to understand the history of jazz and the fertile creative exchange that highlighted the 60s and 70s in America.

Burroughs: The Movie explores the life and times of controversial Naked Lunch author William S. Burroughs, with an intimacy never before seen and never repeated. The film charts the development of Burroughs' unique literary style and his wildly unconventional life, including his travels from the American Midwest to North Africa and several personal tragedies. Burroughs: The Movie is the first and only feature length documentary to be made with and about Burroughs. The film was directed by the late Howard Brookner. It was begun in 1978 as Brookner's senior thesis at NYU film school and then expanded into a feature which was completed 5 years later in 1983. Sound was recorded by Jim Jarmusch and the film was shot by Tom DiCillo, fellow NYU classmates and both very close friends of Brookner's.

Essentially a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin, this nearly 20 minute avant-garde short features repeated articulations of such random things as "Hello," "Where are we now?," and "Look at that picture" instead of music or standard dialogue. The narrative is decidedly nonlinear and perplexing, with no discernible plot whatsoever as we see images of Gysin working on his paintings and calligraphic designs and Burroughs rummaging through draws, packing a suitcase, giving a young man a physical, making a call in a phone booth, and waiting on a platform for a subway train.