A group of ex-university students reunite to perform a Shakespeare play in a quaint English village.

A woman who has been institutionalized for 60 years for the "crime" of not conforming to the 1920s image of what a proper young woman should be (in other words, she did what she wanted and didn't care what anyone else thought about it) is finally released to the custody of her family, consisting of her grand-nephew and his family. At first she keeps a self-imposed distance from the relatives, but she soon finds herself coming around to her nephew's wife, a free spirit who is under the thumb of her cold and controlling husband.

Paul Reynolds is a Gatsby-like figure: owner of a magnificent house, the host of great parties, and a collector of interesting people. He persuades Lizzie Thomas, a secretary at a local estate agent's, to come and work for him as his assistant, to bring some order to his chaos. He inspires her with his enthusiasm and imagination, and frustrates her with his apparent carelessness and destructiveness, which culminates in her calling the police as one of his parties is attacked by local troublemakers, seemingly with his tacit approval. But their paths are destined to cross again and again as Lizzie, with the help of some of the people that she met at Paul's house, rises through the changing landscape of corporate Britain. This is the tale of a meaningful and powerful relationship that isn't a love story; it's about those rare people who profoundly influence and shape our lives.

Property developer Jamie has to evict some weird, post-modern hippies from a building. But they slowly drag him into their dark underworld of bizarre rituals and dangerous liaisons.