Les (Mala Emde) lives life fast, spontaneously, and carefree. By day, she races through the city as a bike courier; after work, she's off partying with her friends. Stopping, pausing, or thinking about the future? Not for Les. At least not until her father, Bert (Christoph Maria Herbst) – with whom she has virtually no contact – unexpectedly shows up at her door and, after an accident, even hops on his bike for his daughter without being asked. When Les then learns of her unplanned pregnancy, she's completely thrown into a new reality. The expectant father, Tyler (Aaron Hilmer), would love a child, but unfortunately, he's still a child himself. Les's world is turned upside down – and Bert hasn't even told her yet that he's going to die soon...

After a night of drinking, Paul wakes up with a severe hangover and can’t remember what happened. His T-shirt is covered in blood, and a body has been found — that of his girlfriend’s ex-boyfriend. Did Paul kill him in a drunken stupor? Inspector Anita Wild investigates, even though she’d rather avoid the village where she grew up.

En la fiesta de cumpleaños de Maja, los ánimos están por los suelos: Maja deberá afrontar junto a sus amigos Jule, Jan, Hans y Angela la infidelidad de Florian, al que echa de casa.

Inspired by true events, the gangster epic LUDEN tells the rise of the Nutella Gang, the most famous pimp cartel in Hamburg's legendary Reeperbahn during the 1980s. The unusual cartel turns the rough red-light district in St. Pauli into a glamourous place, but it is also the beginning of a power struggle with the established pimps of the GMBH.

经过一次偶然事件，致命病毒开始在岛上肆虐

2020 miniseries

The present, the whole present and nothing but the present. A young man on a footbridge, a bus departs, his friend is gone. This is followed by a majestic parade through a shopping centre. This central shot in the film is a fragile balancing act between documentary observation and subtle direction. Deliberately asynchronous sound serves to heighten the sense that events are nothing more than a construction of an apparently familiar reality. The boy's melancholic bearing, and the way the film unfolds, are embedded in an extremely expressive, albeit narratively minimalistic, dramaturgy of colour. Vibrant colours introduce each individual sequence: blue, green, yellow, orange, red.

Paul Baumer and his friends Albert and Muller, egged on by romantic dreams of heroism, voluntarily enlist in the German army. Full of excitement and patriotic fervour, the boys enthusiastically march into a war they believe in. But once on the Western Front, they discover the soul-destroying horror of World War I.

Two boys meet on a tram ride. Something is born - not much and yet everything.