A satirical, updated take on the classic Jean de La Fontaine fable.

An early experiment in employing computers to animate film. The result is a dazzling vibration of geometric forms in vivid color, an effect achieved by varying the speed at which alternate colors change, so producing optical illusions. In between these screen pyrotechnics appears a simple line form gyrating in smooth rhythm. Sound effects are created by registering sound shapes directly on the soundtrack of the film.

A film in cut-out animation depicting the demographic problems of the world. It shows that in many countries freedom from the old scourges of famine and disease has in turn created the new problem of more mouths to feed. The film suggests that wealthier nations might increase all forms of aid to struggling nations to create a better world.

A poetic and animated meditation based on the impressions left by two trips to Japan, in 2003 and 2018. A formal construction based on a stylistic and technical approach that connects dance, calligraphy, and scratching on film.

This is an artsy film that was funded by the National Film Board of Canada, a governmental agency that provides money for animators making short films. Some of the films produced with their help are more commercially oriented and some, like this film, are more artsy and may not be especially pleasing to the general public. OP HOP/HOP OP consists of 24 different geometric images scratched into film (all in black and white) and they appear and disappear rather randomly. Each image makes a sound and as they come and go, there's a popping-like sound--almost like little drums. It looks like something you might see in a modern art gallery. But, unfortunately, it also is a serious chore to watch even though the film is less than four minutes long--it is quite tedious. Plus, and I am serious here, I worry that those with epilepsy might have a seizure triggered by the film with all it's flashing light.