As the world comes to an end, Shah Ismail embarks on a quest for the water of Life.

A young man wanders through the ruins of what may or may not be his childhood home, where each crumbling doorway opens up onto the past. No matter how much he has tried to change, the young man always returns to the same places, same questions, same faces, same recollections—the same nails in his brain

Davud returns from war to find everyone in his village has succumbed to a strange illness and has decomposed. His sister, the only survivor, is slowly rotting away herself. Davud is troubled by his memories as a soldier, as he confronts the only true question: is surviving the same as living?

在阿塞拜疆乡村，当柿子生长时，一位母亲在等待儿子归来；当她的儿子归来时，他们谈论着外面世界的种种，沉默融入了语言，生命迸发了活力；当冬天到来的时候，她的儿子又将离开，留下母亲和这栋时光永驻的房子，过去和现在变得模糊，当柿子生长时，又是一年度过。镜头就这样安静而从容地记录了生活的景况，极富诗意感。

Musa, a law student seeks out Davud, a man imprisoned for kidnapping four women. He soon discovers that all of his victims have no wish to press charges. On the contrary, they have the feeling of a new truth in themselves. Musa's encounter with the purported criminal becomes a journey into someone else's inner world. Are the questions he asks the correct ones? Is the law a genuine form of justice? What is the meaning of humans imposing punishment on others? Is Musa being enlightened by a superior man, or is he being lured into a world of illusion?

The love story of Davud, a young man in search of his ‘true’ family, who completes his life cycle in a single day. When he does find Love, it's in the place he has always lived. But perhaps it is too late.