Against the background of the war of 1812 and the conflicts preceding it, the fate of the Russian aristocracy unfolds.

Masha has to save her brother, who fell under the spell of the forest's evil spirits and turned into a goat. To break the terrible curse, the girl has to join forces with the fairy tale heroes she has known since childhood—the three bears.

Jack Hussar is a legendary Hollywood director, whose persona commands respect and adoration from his fans. Can his son, Jack Jr. maintain his legacy?

"Polikushka" was the only film directed by Aleksandr Sanin, one of Moscow Art Academic Theatre's founders, and is based on Lev Tolstoy's homonym short story. In spite the many differences between the literary oeuvre and its film adaptation it is a remarkable work that is outstanding for its depiction of the cruel realities of Russian society -the harsh life condition of its main character and his family in contrast to the wealth of his mistress;

根据托尔斯泰的同名戏剧作品改编成的电影，由普多夫金主演，是前苏联默片时代晚期的一部杰作。 The Living Corpse (Zhivoy trup) (Country: Germany, Soviet Union; Director: Fyodor Otsep; Writer: Boris Gusman, Anatoli Marienhof, Fyodor Otsep, Leo Tolstoy; Cast: Vsevolod Pudovkin, Maria Jacobini, Viola Garden, Julia Serda, Nato Vachnadze, Gustav Diessl, Vera Maretskaya, Dmitri Vvedensky, Vladimir Uralsky, Boris Barnet) Late-silent Soviet-German masterpiece, with a superb original score recorded live, adapted from Tolstoy's classic about a state prosecutor who stages his own murder. Fedor Ozep, the director of the Russian silent classic The Queen of Spades, used the occasion of his directing this 1928 German co-production of yet another Tolstoy tale as his means to escape from the Soviet system. In the movie, Fedya Protassov (Vsevolod Pudovkin) is doing everything in his power to free his unhappy wife (Mariya Yakobini) from the bondage of marriage so that she can remarry and finally achieve some measure of happiness in life. Unfortunately, the powerful Russian Orthodox church works hard to make any such arrangement impossible, and in the end the only means by which he can bring this about is to commit suicide. The prints and original musical score to this film were restored and shown once more in 1990. ~ Clarke Fountain, All Movie Guide

The story takes place in the late 19th century Russia. Count Alexey Vronsky, a dashing aristocrat, meets Anna Karenina, the young and charming wife of an influential government official. After a brief meeting, the two become infatuated with each other. For both, this relationship turns out to be the first true love — so strong, in fact, that desperate Anna chooses to break the upper class conventions and elope with Vronsky leaving her husband and son in St. Petersburg. But the love fairytale ends shortly, as fate puts their feelings to the test.

文学泰斗托尔斯泰的一部《安娜·卡列尼娜》(Anna Karenina)一百年来赚足了世界各国读者的眼泪，更是被几乎所有的艺术表现形式不断演绎。此次由马林斯基剧院芭蕾舞团带来的版本，将在短短两个多小时内，最大程度地再现原著风貌，表达人物内心丰富变化的同时，用生动的芭蕾语汇带给观众一次次悸动灵魂的叩问。

莫斯科大剧院芭蕾舞团上演的芭蕾舞剧《安娜·卡列尼娜》，取材自托尔斯泰的同名小说，由玛雅·普列谢茨卡娅主演，她的丈夫——作曲家罗季翁·谢德林谱写音乐。

改编自列夫 托尔斯泰的小说《克莱采奏鸣曲》。 In the passenger compartment of the train of double talk about disagreements. Among them is Pozdnyšev whose case stirred great excitement among the public. Pozdnyšev will tell their story. As a wealthy landowner led profligate lives. At one party he met Natasha, fell in love with her and married her ...

本片为纪念俄罗斯作家列夫·托尔斯泰诞辰150周年，根据他的同名小说改编。影片叙述谢尔盖神父面对人世间喜怒衰乐以及灵与肉的挣扎。整部电影没有起伏跌宕的故事情节，主要通过谢尔盖神父的五次出走来表述他的思想矛盾，为了寻求光明的未来，他必须痛苦地与诱惑和堕落进行斗争，但一切又似乎遥不可及。

During the early to mid 1920's Russian émigré Ivan Mosjoukine rose to great prominence as the preeminent star of French silent cinema, not only a popular draw at the box office but an exceptionally expressive and charismatic actor, who could flourish in both art-house and mainstream cinema. Such was his stardom that in 1926 Abel Gance's first choice for the title role in Napoleon was none other than Mosjoukine - who whilst flattered could not commit to the lengthy production. Instead Mosjoukine starred in Michel Strogoff and Casanova, two vehicles which whilst less well known today were considerable box office successes at the time. However after the second of these Mosjoukine made a major career misstep when, with a Universal contract, he left France for what he hoped would be Hollywood stardom. However only one film came from this, "Surrender", which, although interesting and well made, totally failed to establish him as a viable US attraction. Returning to Europe, his standing there had declined somewhat and he struggled to reestablish himself. White Devil was the last of 5 German & Italian vehicles and might well have returned the actor to his former stature, were it not for a technical revolution that was sweeping through the industry. For this film is the first of Mosjoukine's to include a synchronised soundtrack. The film boasts an effective score - with compiled elements and original music by Michael Lewin, Marc Roland & Willy Schmidt-Gentner - some sequences of singing and whistling, and a range of sound effects... but no dialogue. It's likely that the film was initially shot silent then retrofitted with sound in order to make it more attractive in a rapidly changing market. As such it comes off very well, with an exciting and action packed plot and a meaty role for it's expressive and versatile star. Mosjoukine stars as a fiery Caucasian captain Hadscht Murat who quarrels with his leader (initially over a perceived insult to the leader's daughter and then more seriously over the fate of some prisoners) and apparently defects to fight for the despotic Czar Nicolai I (Fritz Alberti) and becomes involved with Neidowa (played by Lil Dagover - beautiful but rather wasted in a smallish part) Hoping to use Murat as a go-between in his plans to conquer the Caucasus, the Czar ruler finds that our hero is not so easily manipulated. Rescuing Neidowa from the Czar's clutches, Murat leads a people's revolt against the despotic regent. Alexandre Wolkof directs with great style and visual flare in a film that represents the European silent tradition at it's finest and most dynamic. This has some wonderfully atmospheric cinematography - right up there with Sunrise & Docks of New York. Mosjoukine himself gives a moving and potent performance as the noble Murat – and the film ranks amongst his best,

风流倜傥的聂赫留朵夫（叶甫盖尼·马特维耶夫 Yevgeni Matveyev 饰）勾引了姑妈家的女仆玛丝洛娃（塔玛拉·肖明娜 Tamara Syomina 饰），在玛丝洛娃怀孕之后，聂赫留朵夫无情的抛弃了她，导致她被雇主逐出了门外，流落街头。无奈之下，玛丝洛娃只得依靠出卖自己的身体来换取金钱勉强度日。 终于，玛丝洛娃犯下了无可挽回的罪行，被推上了法庭，在那里，她和聂赫留朵夫重逢了。聂赫留朵夫再也没有想到，自己曾经不负责任的举动会如此改变这个女孩的命运，毁掉了她的人生，痛心疾首的聂赫留朵夫决定陪玛丝洛娃一起承担流放西伯利亚的刑罚。在此过程中，玛丝洛娃再一次的爱上了这个曾经伤害过自己的男人。

安娜（杰奎琳·比塞特 Jacqueline Bisset 饰）年纪轻轻就嫁给了高级官员卡列宁（保罗·斯科菲尔德 Paul Scofield 饰），混迹于上流社会的交际圈之中。一天，她收到了哥哥发来的电报，他请求妹妹前往莫斯科，来挽救他和妻子多丽（乔安娜·大卫 Joanna David 饰）之间濒临破碎的婚姻。在前往莫斯科的火车上，安娜邂逅了名为沃伦斯基（克里斯托弗·里夫 Christopher Reeve 饰）的年轻军官，两人之间碰撞出了火花。 巧合的是，多丽的妹妹凯蒂（朱迪·鲍克尔 Judi Bowker 饰）也爱上了沃伦斯基，但很快凯蒂就发现，沃伦斯基的眼中只有安娜。为了逃避这段不道德的感情，安娜返回了卡列宁的身边，没想到沃伦斯基尾随而至，两人一发不可收拾。

故事发生在十九世纪的俄罗斯，身为高官卡列宁（拉尔夫·理查德森 Ralph Richardson 饰）的妻子，安娜（费雯·丽 Vivien Leigh 饰）却在一次偶然中和伯爵沃伦斯基（基隆·摩尔 Kieron Moore 饰）坠入了情网，一心追逐内心感情的安娜不顾伦理道德的约束，开始了与沃伦斯基的同居生活。尽管安娜百般要求，但卡列宁依然拒绝了她的离婚请求，不仅如此，卡列宁还从安娜身边夺走了她心爱的儿子，禁止她们见面。 不久之后，安娜怀孕了，而噩梦也就此开始，流产、酗酒、药物依赖，接连而来的打击让安娜坠入了人生的谷底，但真正令安娜崩溃的，却是沃伦斯基对她日益冷淡的态度。最终，在沃伦斯基的背叛和社会舆论的压力之下，走投无路的安娜在铁轨下结束了她年轻的生命。

1983 film by Robert Bresson