The action begins in black and white, like a memory. Klaus is a Nazi military who has just failed an attempt on Hitler. Desperate, Klaus shoots and kills his children and then shoots at his pregnant wife and leaves her badly injured. Finally, attempts suicide, but at the last moment does not have the courage to pull the trigger, and flees on a motorcycle, having an accident ... The action continues in France. Jean-Claude is a handsome young man self-conscious about a malformation in his face. Jean-Claude lives with his parents, Jacques Bergé, an amnesiac man, self-enclosed and obsessed with Egyptian art, and Concepcion, a woman also closed in herself and obsessed with flowers from her garden, and apparently , suffering from paranoia.

A flirtatious sorcerous fancies a handsome human professor. Cross time antics arise when she attempts to bring the hapless professor into her alternate dimension.

Ehefrau und Geliebte lernen sich im Flugzeug auf der Reise nach Thailand kennen. Beide möchten denselben Mann überraschen. Die Geliebte gibt sich vor Ort bei der Zimmervergabe als dessen Ehefrau aus und die Ehefrau, da ihr nichts übrig bleibt als Preisausschreibengewinnerin. Bei allen drei Frauen kommt es zu Verwechslungen mit ihren jeweiligen Verehrern (Hoteldirektor, Fitnesstrainer und Arbeitskollege von Ehemann).

The war in Europe is ending, but the American troops have to find a scientist on the run who is also chased by some surviving SS forces.

1960 film by Daniele D'Anza

During the Mexican Revolution, Pancho Villa is wounded and left his large treasure in gold back in the city of Colón. He is forced to establish an alliance with General Urbina, leader, and he asks seven of his faithful guerrillas to take back the gold that he has hidden in a farm, near the New Mexico border, and which will allow him to pay for a new army and guns.

Revealing story about the mysterious Nazi organization "Lebensborn," which was intended to serve the SS in pursuing population policy and racial hygiene goals by systematically producing "hereditarily valuable" children. The film depicts an anti-Hitler Knight's Cross recipient with false papers who becomes a witness and victim of relevant events in a Lebensborn home, where 30 enthusiastic BDM girls and a number of SS hooligans and frontline soldiers have just moved in to "give the Führer a child."

Millionaire Baretti pays a gang to rob an atomic bomb from an American silo, and then blackmails the American Government for a huge amount of money. German secret service (BND) agent 'Dynamite' will use his fists, guns and more to try to stop them.

One of the main theses of the Marienthal study was that prolonged unemployment leads to a state of apathy in which the victims do not utilize any longer even the few opportunities left to them. The vicious cycle between reduced opportunities and reduced level of aspiration has remained the focus of all subsequent discussions.

A group of rich businessmen and military officers who are partying in an old castle are spared when a nuclear war ravages the earth. When they venture out into the nearest town to search for food and supplies, they find most of the residents blinded, and soon they discover the existence of a sinister group called The People Who Own The Dark.

In the spring of 1944 an RAF Mosquito Squadron are ordered to attack a German rocket fuel plant in Norway. The mission involves flying up a heavily defended fjord and bombing a cliff overhang in an attempt to bury the factory, which is built into the rock.
I bought this on DVD in a '3 for £20' offer, as I had fond memories of it from childhood, and it had been around 20 years since I last remember seeing it. I have to say that it's not nearly as good as I remembered it to be. The plot is full of cliches and there's the inevitable love interest for the lead. That said, there are points to recommend it. Cliff Robertson gives another reliable performance as the Wing Commander in charge of the squadron, and there are equally dependable turns from Harry Andrews and Donald Houston. The numerous flying sequences with the Mosquito Bombers are expertly filmed, and it's a real bonus to finally see the film in its correct 2.35:1 aspect ratio. The special effects aren't bad for 1964, and Ron Goodwin's famous score underpins the whole venture.
The main problem that I have with the film is that it borrows heavily from 'The Dam Busters' in terms of plot, without ever scaling the heights (no pun intended) of that classic. It may have lush Panavision photography, better effects etc., but lacks the nail biting tension and expertly constructed drama of its predecessor. However, it's perfectly acceptable entertainment, if somewhat abrupt at the end.
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