黛博拉·拉什 — 演员 (4)
天堂一夜 (1983) [电影] 豆瓣 IMDb 维基数据 TMDB
A Night in Heaven
导演: 约翰·G·艾维尔森 演员: 克里斯托弗斯·阿特金斯 / 莱斯莉·安·华伦
其它标题: A Night in Heaven / 천국의 낙원
Faye Hanlon是位社区大学教授,带着性的挫败之心和陷没于沮丧萎靡之中的丈夫生活。有次妹妹带Faye Hanlon到家男士表演俱乐部散心,在此Faye Hanlon发现表演者之一是她所倾慕的男学生瑞科,于是一段女教授Faye Hanlon和男学生瑞科间的不伦奸通关系肇始了。到底是斩断跟瑞科的孽情以延续和爱而不能的丈夫的婚姻,还是改变死水一滩的的生活,同绰号‘赛火箭’的瑞科最终走到一起?Faye Hanlon情感的天平剧烈摇摆。。。
时年三十八岁的Lesley Ann Warren 饰演女教授Faye Hanlon
Noises Off 1983年版 [演出] 豆瓣
所属 演出: Noises Off
剧院: Brooks Atkinson Theatre 导演: Michael Blakemore
其它标题: 1983年版 编剧: Michael Frayn 演员: Dorothy Loudon / Victor Garber
In his plot for Noises Off, Frayn plays on the concept of a play within a play, in this case a dreadful sex-comedy titled Nothing On—the type of play in which young girls run about in their underwear, old men drop their trousers, and many doors continually open and shut. Nothing On is set in "a delightful 16th-century posset mill"[2][3] that has been converted to a modern dwelling for which renters are solicited; the fictional playwright is appropriately named Robin Housemonger. Each of the three acts of Noises Off contains a performance of the first act of Nothing On.[4]
Act One is set at the dress rehearsal, the night before opening at the (fictional[5]) Grand Theatre in Weston-super-Mare, with the cast still fumbling with entrances and exits, missed cues, misspoken lines, and bothersome props, most notably several plates of sardines.
Act Two portrays a Wednesday matinee performance one month later,[6] at the (again fictional[7]) Theatre Royal in Ashton-under-Lyne. In this act, the play is seen from backstage, providing a view that reveals the deteriorating personal relationships among the cast that have led to offstage shenanigans and onstage bedlam. Also, there appears to be no true resolution. The play simply falls into turmoil and disorder before the curtain is pulled.
In Act Three, we see a performance near the end of the ten-week run, at the (still fictional) Municipal Theatre in Stockton-on-Tees, when personal friction has continued to increase and everyone is bored and anxious to be done with the play. The actors attempt to cover up a series of mishaps but only compound the problems and draw attention to the bungling performance.
Much of the comedy emerges from the subtle variations in each version as off-stage chaos affects on-stage performance, with a great deal of slapstick. The contrast between players' on-stage and off-stage personalities is also a source of comic dissonance.