In 1905, after 10 years of missionary work in Africa, the Rev. Charles Fortesque is recalled to England, where his bishop gives him his new assignment - to minister to London's prostitutes.

A taxi driver (Quaid) pounds Zen parables (if time money, is time the root of all evil?) into his passenger in a high-speed, idiosyncratic tour of their city's ethnic coteries. All the boy wants is to dispose of his date's dead dog and get back to the babe who's so hot she mutters darkly about being a pressure cooker.

When his best friend dies of a heart attack, Ray Macklin becomes a man obsessed with his own mortality. Convinced that all his aches and pains are an indication of his imminent death, Ray's life turns into a slapstick farce of health-crazed anxiety and hypochondria.

It is 1947, the year of the communist rebellion in Malaya and the British army's SADUSEA (Song And Dance Unit South East Asia) are called to the Malayan Jungle to entertain the troops. The eccentric, bible-bashing Major Giles Flack (John Cleese) is in command of the unit. Flack is accompanied by an ageing, theatrical drama queen, Terri Dennis (Denis Quilley) who hopes to entertain the troops with his flamboyant impressions, but the bored troops find other ways to enjoy themselves.

Inmates fight, pair off, try suicide and attempt escape at a British reform school for girls.

Social realism regarding struggles of reservation-dwelling Native Americans in the North Central states of the US. Main character is an introspective and lovable person in a process of seeking pride and identity through tradtional and mystical means of gathering power. His high school friend, who is a Vietnam War Veteran, is exerting power as a highly principled social activist, using a modern rational materialist adversarial model of progress.

Brian and Charlie work for a gangster. When the boss learns they want to "leave" he sets them up to be killed, after they help rob the local Triads of their drug dealing profits. Brian and Charlie decides to steal the money for themselves, but when their escape doesn't go to plan, they have to seek refuge in a Nuns' teacher training school.

A doctor's wife tires of his obsession with model trains, and spends her days wondering about the son she gave up for adoption at birth. While eating at a roadside cafe, she encounters a British hitchhiker, who turns out to be her son. They spend time together trying to find a bond. The son begins to hate the husband, and the wife begins worrying about the safety of her husband and his train set. Written by Ed Sutton {[email protected]} For this psychological drama, Dennis Potter reworked his 1974 TV play, Schmoedipus, transposing the setting from London to the United States. The title "Track 29" is taken from the lyrics of "Chattanooga Choo Choo." Distraught and dreamy Linda Henry (Theresa Russell) complains to her husband, surgeon Henry Henry (Christopher Lloyd), about their sex-less, childless marriage, but he's obsessed with his basement model railroad layout and also engaged in an affair with a nurse (Sandra Bernhard). When mysterious stranger Martin (Gary Oldman) drops in on Linda, he claims to be her long-lost illegitimate son. As seen in flashbacks, the 16-year-old Linda was raped at a carnival by a man (Gary Oldman) who resembles Martin. Subsequent events hint at Martin as a delusion, a product erupting from Linda's fantasy world. Written by Bhob Stewart {[email protected]}

On a cold November night in 1993, Wanda Lopez was stabbed to death while she worked at a Corpus Cristi Texas gas station. 21 year old Carlos DeLuna was arrested, and over the next six years, through his trial and subsequent imprisonment he protested his innocence, declaring that it was another Carlos who committed the crime. The prosecution insisted that this other Carlos was a “phantom’ and didn’t exist. Through illuminating interviews with witnesses, Carlos’ family members, and legal experts the film asks, for the first time since 1993, if the judicial system executed an innocent man, examining key evidence that calls into question whether or not Carlos DeLuna was right about the other Carlos. Was he a phantom after all, or was he a brutal killer, and did a poor Hispanic young man have any chance within a justice system and a society that by it's actions seemed to regard him as disposable? —Deborah Rudolph

The British governor of a tiny island nation in the Caribbean Commonwealth finds his idyllic existence thrown into chaos when an American drilling company finds a huge source of natural mineral water there.