2001 film by Mijke de Jong

From the moment Máxima Zorreguieta appears at the Dutch crown prince’s side, she finds herself in the spotlight. When Willem-Alexander asks her to marry him, the past catches up with her. Heated discussion erupts about her father’s political career in the Videla regime – a discussion she never faced in her own circles. What allows this Argentine to finally thrive at an old European court? And how can Máxima stay true to herself without giving up her family – or do these things not go together?

2003 film by Willem van de Sande Bakhuyzen

When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots. Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.

When Suze's colourful and extravagant mother Helena pays a surprise visit to inform her daughter that she's ill, Suze slowly relapses into severe compulsive behavior.

如果生活是一个单场故事，我们能不断重写它吗？导演文森特·博伊·卡尔斯通过引导女主角表演一些关键场景的戏份来讨论人们能否接受某个单一场景的故事性。影片为观众提供了一种观看与参与的视角，镜头内故事场景的结束是镜头外主人公故事的开始，当生活进入真实与虚幻的表演时空，真与假该如何分辨？

STAGES is a film about Roos and Martin, who are divorced but haven't become detached yet. When their 17-year old son Isaac withdraws ever deeper into silent isolation, they try to find a solution. Their attempts to find a solution for Isaac fail due to their frustrations from the past and their inability to listen to one another.

2004 film directed by Mijke de Jong

耍狠的大哥制定了地下法規，賺髒錢買華服，走路有風。小弟如我，只能在廣場嗑南瓜子，邊流口水看妹，邊模擬接吻，屬於我的時代何時到來？主角嘗試使壞，遇見鎮上的壞胚子，經歷詭異、噁心、殘酷卻又奇幻的一夜。鮮豔的影像色彩、實驗電子配樂，導演的處女作展現獨特風格，寫實的文本有著超現實的情節與視覺，使本片切中青少年議題而不落俗套。

故事发生在遥远挪威乡村的寒冬里。已过而立之年的女儿鲁斯一如既往地去看望母亲，但这次不同以往：她似乎带来了不好的消息。随着时间的累积，母女间看似和睦相处的氛围中却愈发显现出二人情感上的裂痕，痛苦的成长经历和无数的不解责备让女儿一度拒绝与母亲沟通的同时，也将自己推向了崩溃的边缘。所幸，在与胞弟的相处和旧时爱人的陪伴下，鲁斯还是找回了当初的温情，并终以更为惊人的方式完成了与母亲的这趟和解之旅！

Life Is Wonderful is a feel-good movie about love and longing. Best friends Mees and Boelie are spending a beautiful spring day in Amsterdam's Vondelpark. It seems like just a normal day, until they meet the young and attractive Panda. While the heat rises in the park, it's nowhere to be found between the long-married couple Etta and Ernst-Jan. Ernst-Jan suspects Etta of cheating and has his own ideas of how to catch her in the act. We also meet Rosa and Kees, old lovers whose paths cross after decades of not seeing each other. On this spring day in Amsterdam, their love starts blooming again.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.