Between Dreaming and Awakening, an Iranian drama series whose story revolves around gangs that sponsor the drug trade in Iran, where senior police officers confront them after they pose a real threat to the country's youth. It shows a complicated story about police trying to drag these traders into the trap, so interesting events take place in a dramatic context in which the features of the conflict between the forces of good and evil appear, and the series is a light police comic type, which gives the impression of the difficulties facing the policemen of the dangers and obstacles surrounding the policeman and his family in the same time.

After his wife and daughter lose touch with him, Habib starts losing his memory to the point of Alzheimer.

Director Bahman Farmanara's second film following a 20-year exile from his native Iran depicts the spiritual crisis of a middle-aged man. In the film's dreamlike opening scene, Dr. Reza Sepidbakht (Reza Kianian), a well-off Tehran gynecologist, thinks he runs over an angel while driving home at night with a call girl. The next morning at the hospital where he works, he is shown a comatose boy who is famous for having memorized the entire Koran. These two events cause him to rethink his cynical outlook on life and his relationships with his elderly father, wayward son, and the women he has mistreated since becoming estranged from his wife. When the boy awakens from his coma, Dr. Sepidbakht begins to look to him for answers.

Rejected by her parents for having a baby out of wedlock, Sougand has grown up bitter and resentful towards the world, spending her days wandering aimlessly from place to place. Her son takes after her in his rejection of authority figures, and the two enjoy a distinctly strained relationship. After several years without contact, Sougand's sister Banafsheh decides to find her and reveal a secret which has been kept hidden for many years, one which could mark the beginning of the end for their family. An intimate character study of fragility and penance that is cemented by powerhouse performance from its leads.

2006年法国南特三大洲电影节展映作品 片名就是一道伊朗菜名，故事也以一閒伊朗餐館的廚房和裏面做菜的四個單身女人為中心。在這個女人出門都要裹像粽子的國家，這閒樸實的廚房是她們獨立自主的天堂。並不大的空間擺放著鍋物，食材和女人們親手做的醬料，她們一邊做菜，一邊嬉笑怒罵，花痴般的討論男人和自己老掉牙的戀愛史，從廚房裏端出一盤盤菜肴和撩開窗簾偷看客人的表情。雖然辛苦的獨立生活，卻也樂在其中。但平靜還是被打破，老闆娘的丈夫從監獄回來（坐牢的原因猜想是參加革命運動吧，關很久），女人們以為男人會收回房子，也就收回她們擁有的一切，於是在憂心忡忡中為男人定時送好吃的飯菜，溫柔卻又三八的對待男人。男人漸漸融入其中，女人們的生活也變得更加多彩，甚至男人和老闆娘的感情也逐漸復蘇。但因為一個誤會，男人最終還是離開了這個地方.

Story of a man who remembers nothing in a full day.