For two weeks, Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.

Biggie & Tupac is a 2002 feature-length documentary film about slain rap icons The Notorious B.I.G. and Tupac Shakur, made by Nick Broomfield. It is an investigation of the deaths of the two icons, which some people claim were orchestrated by Suge Knight, head of Death Row Records. Collusion on behalf of the LAPD is also examined.
While the film remains inconclusive, when asked "Who killed Tupac?" in a BBC Radio interview dated March 7, 2005, Broomfield stated (quoting Snoop Dogg) "The big guy next to him in the car... Suge Knight."

In this documentary, filmmaker Nick Broomfield follows the saga of Aileen Wuornos, a prostitute who has been accused of committing a brutal series of murders. Broomfield conducts interviews with Wuornos herself, and his crew films her trial as well as her interactions with religious fanatic Arlene Pralle, who gives Wuornos dubious advice and legally adopts her. The cameras also roll as the accused's attorney ignores the case at hand to negotiate a deal to sell his client's story.

From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?

From award-winning director Nick Broomfield, The Leader, His Driver, and the Driver's Wife documents Broomfield's efforts to interview Eugene Terre'Blanche, leader of the sinister neo-nazi AWB Afrikaner Party in South Africa. Cameras capture awkward interactions with skittish AWB supporters, combat training of militant youth, and the coveted interview itself. Broomfield's access to these events is made possible by the leader's driver, whose wavering allegiance to the movement is explored as well.