Many centuries ago, during his reign, King Solomon grew angry with the powerful genie Yusuf and, using sorcery, imprisoned him in a clay vessel, sealing the spell with his magical ring. Years passed, eras changed, and the genie found himself free in modern‑day Moscow. By an incredible twist of fate, he was rescued from captivity by young Huckleberry Finn and his friend, the runaway slave Jim, who, through the power of magic, had also been transported from 19th‑century America to the streets of the modern metropolis. But the heroes’ adventures do not end there. The power of the ring is so great that Yusuf is pursued through space and time by the ancient demon Kishkash, who continues to carry out Solomon’s will. However, his true goal is to obtain the king’s powerful artifact in order to plunge the world into eternal darkness and chaos. The time for the decisive battle is rapidly approaching…

The film is based on Ostrovsky's play "Guilty without Guilt", but the action of the film has been transferred to our time. The main character is not a dramatic actress, but an opera singer. She is played by Kazarnovskaya. A new vocal piece was written especially for Lyubov Kazarnovskaya, which sounds in the finale of the film.

Mechanic Stepanych goes on a tourist trip to Spain with his wife and daughter. Being tired of them Stepanych is looking forward to meet his friend Semyon. Yanychar is a killer hired by oligarch Vorkutidze and is also waiting for Semyon in Spain.

When Vera Rohleder wants to meet her husband Bernhard at the airport where he should arrive from Moscow, she is not successful. Later she is told that Bernhard died in a tragic traffic accident. She flies over to Moscow to identify the corpse, but the dead man shown to her doesn't seem to be her husband. When she tries to find out what really happened she gets to meet Andrej Bubka, a Moscow militia officer, who also looks for her husband. Vera cannot believe what Bubka tells her about the reasons why her husband has disappeared.

Olga, married to a reach American businessman, returns to Russia after six years.

Казалось бы, фильмов с рефлексирующими героями хватает, однако - первый фильм о российской буржуазии, первая честная попытка разобраться в феноменологии нового класса, к тому же снятый в подлинных, апартаментах, дорогих ресторанах и клубах, а не в картонных декорациях. Почему у, казалось бы, успешных, состоявшихся людей так часто замечаешь пустой, потухший взгляд, - задается вопросом автор сценария, писательница Наталия Вико. Всем знакомая тема одиночества современной обеспеченной женщины открывается по-новому.

The story of a young girl who believes in miracles. The guys do not pay any attention to her, at work, her ideas are stolen and used, friends consider her a little strange, but the young girl does not lose heart and continues to believe in a prince on a white horse. And one day he appears. Handsome, young, he is subject to magic, and henceforth her feelings. How now not to believe in a fairy tale when she herself was in it?... The long-awaited prince will make her life truly magical.

In modern-day Moscow, disaffected former journalism student Roman follows a cryptic invitation to join “the elite” and finds himself forcibly transformed into a vampire. But not your typical creature of the night. Thanks to a parasitical worm known as the Tongue, Roman (now called Rama) has become part of a ruling class of vampires who exercise an “anonymous dictatorship” over humans based not on a thirst for blood but the hunger for money. As various instructors school him in the ways of their elite breed, and Rama explores his new supernatural abilities, he begins a tentative relationship with another newly turned vampire, Hera. His desire for more knowledge about this intoxicating new world also leads him into potentially deadly conflict with Mithra, his mentor who becomes his nemesis.

A philosophical and poetic portrait of the famous (or maybe infamous?) Baron Munchhausen. His crazy, yet very merriment, stories, views and behavior is what sets him apart from others. He becomes alienated from the society that failed to grasp his brilliance. In fact, his brilliance is what underlines the faults with the society itself. It's a beautiful yet tragic story that is filled with dense and intellectual dialogue

Провинция. Детский театр в небольшом городке. Пожилые и не очень трезвые актеры целыми днями играют: свиней, белок, козлов. Вторая половина труппы уехала на заработки на сельские гастроли, под присмотром непьющего администратора. Актер Аркадий, которому уже за 40, последние годы играет в театре только одну роль — Зайца. Он разошелся с женой и теперь живет в гримерке театра. Понимая, что кроме Зайца, он ничего уже больше не сыграет (а душа требует творчества), Аркадий начинает во время спектакля вставлять в свой текст цитаты из Шекспира. За что получает выговоры от директора Ароныча, а затем и последнее предупреждение. Актеры его не поддерживают — им давно уже ничего не надо. Единственный человек, который восхищается Аркадием — молоденькая актриса, играющая роль Гриба без слов. Тем временем актеры на сельских гастролях спаивают администратора, что приводит к постоянным комичным ситуациям. Но вот у театра появляется свой спонсор — владелец колбасных цехов, который обещает деньги на новый спектакль. Неожиданно для Аркадия, спонсор дает ему в новом спектакле главную роль. Заяц находится на вершине счастья. Но мнение людей, наделенных властью, часто меняется. Сможет ли Аркадий сохранить самоуважение, свою любовь и даже жизнь — зависит от него…