Peter Berdon (Mario Selič) joins a group of Stalinists after his father is killed by the Nazis in this grim political drama. The film begins with his arrest and uses flashbacks to tell the events that led to his incarceration. His abuse is chronicled both in and out of prison after he falls in with a Bonnie and Clyde-like duo after the war is over.

The exploits of a depressed architect in Belgrade as he wanders about searching for the future in a land where the future no longer exists. Handsome Nikola is in his mid-thirties. He earned the nickname Champ because he used to race speedboats. He makes a decent living as a free-lance architect and his apartment is spacious and comfortable. Ana is attracted by the Champ's good looks and apparent prosperity. He is always pensive though; even when he is out drinking at the local clubs with his companions he cannot help but brood about the state of Belgrade. Though the city appears fairly normal on the outside, the presence of the war is signalled when a reluctant conscript in the army is dragged away.

It describes the social process of stratification in the Serbian countryside during late 19th century, which occurs with the penetration of the commodity-money in the countryside. Under new conditions, peasants and farmers are unable to adapt, and rot under the burden of debts.

Before and during WW II and the German occupation of Serbia, in a village in Vojvodina, inhabitants are separated based on their nationality. Local Volksdeutschers (ethnic Germans) enlist with the Nazi occupiers. The village bum, Leksi, jumps at the opportunity to put on a uniform and parade around with a gun. Leksi gets into an argument with villagers Marko and Joca, who devise a plan to get rid of him. At the same time, Marko tries to seduce Leksi's wife, Anika.

Tihomir Stojkovic suspects that there's a hidden treasure in the property of his neighbors. Since this piece of land belongs to a man who has unmarried daughter, Tihomir persuades his friend Djosa to marry her so they could get in possession of that jar full of money. The characters are based on TV series "Family Treasure".

A young prison inmate gets released together with an old gangster. They go to town together in order to visit their families and friends, but nobody knows that the old man is mortally ill.

Dear Video is a black epistolary comedy which stars some of the finest actors from the former Yugoslavia. The film is constructed around the video 'correspondence' between two branches of a family, one living in Germany and pursuing 'modern' life and the other one living in a little village in Yugoslavia clinging to tradition. Through the home video 'letters' sent back and forth, petty jealousies, love liaisons and financial squabbles drive the family to the brink of war, a situation that reflects the collapsing state of affairs in what was then Yugoslavia.

A journalist lives his smooth citizen life, married to a woman from respected family. But, conflicts with manager at work are becoming more often, his marriage is unstable and the outer manifestation of all this is a strange skin disease. Doctors recommend resting in nature and self-examination. In the mountains, in a lonely house near the lake, he meets a woman, also unadjusted and lonely. The consequences of this encounter are beneficial. Capable to love again, he gets his moral strength, and disease retreats. He breaks off his contacts with his wife's family and with "petit bourgeois" of his former life, confronts his boss and wins, realizing that this is only a first victory which has straightened him up.

A story about partly miserable lives of middle aged men and unfulfilled dreams of youth.

Movie about secret relations between Yugoslavian, Serbian and Croatian secret police during last 50 years. Here in Balkans truth and lies are so much mixed and it lasts so long that no one knows the difference. That is why this fictitious story looks so true.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

The staff of elementary school prepare the retirement party for their cleaning woman. The complicated relations within the school will emerge to the surface on the same night.

A normal boy receives a blow to the head which sets him off to perform rebellious acts.

Educator and those educated in a home for juvenile delinquents in the same test: approach, take a peek into his soul to become a man. The story of a minor, neglected boys-offenders and their teachers who try to reject the old methods of rehabilitation.

Comedy about teachers and students at a high school in a small provincial town. Mihailo tries to win the heart of a girl his brother is also chasing.

A young man who long ago gave over the hard work of being a composer for the easy life of a rich man's son is bamboozled into slapping together a musical production. Having borrowed right and left, and plagiarized the works of a friend, he feels cheap, very cheap. He feels even worse when the awful thing is a success.

Ahmet Nurudin is a dervish and head of the Islamic monastery of the Mevlevi order in Sarajevo. He is a personification of morale and dogmatic belief, everything that Muslim religion of the Ottoman rule rests on. Throughout his life, the atmosphere of the city, the relations with the judge and the mechanism of government, the image of Ottoman Empire at the beginning of the nineteenth century is being revealed. Based on a highly praised novel by Meša Selimović.

《野花的芬芳》是南斯拉夫著名导演卡拉诺维奇的首部长片，他在两年后拍摄了那部被选入南斯拉夫影史十佳的《佩特拉的花圈》（1980）。但真正让其在国际上一鸣惊人的还是这部《野花的芬芳》，故事与后来美国的《ED TV》和《楚门的世界》很相似，也是讽刺媒体对私人生活的侵入。 当年此片曾获法国嘎纳国际电影节FIPRESCI奖，而与其并列的正是波兰导演瓦依达的名作《大理石人》。 A television actor and his friend, a barge captain, abandon their everyday lives without a thought in this dark comedy. They do not mind that a television news crew is following them. It is with almost a sense of relief that they are overwhelmed by crowds of equally discontented people leaving their lives, who look to the camera crew to swell their numbers as their actions become part of news reports. ~ Clarke Fountain, All Movie Guide Srdjan Karanovic began his career as a director of short films and television programs. In cinema, Karanovic is a prominent member of the "Prague School" of Yugoslav filmmakers; he graduated from the Czech city's prestigious film school FAMU (in Karanovic's case, in the class of 1970). His best-known films include Miris Poljskog Cveca/The Scent of Wild Flowers (1977), Petrijin Venac/Petrija's Wreath (1980), and Jagode u Griu/A Throatful of Strawberries (1985). Also a screenwriter, Karanovic often collaborates with filmmaker Rajko Grlic. ~ Sandra Brennan, All Movie Guide

Professor Vujić's Hat (Serbian: Sesir profesora Koste Vujica) is a Serbian movie. The story was first presentet as a TV drama in 1972. The story of professor Kosta Vujić who in the mid-19th century taught an extraordinarily talented generation of gymnasium students, some of whom would go on to become prominent members of the Serbian society and eventually historically significant figures. They include Mihailo "Mika Alas" Petrović, Stevan Stojanović Mokranjac, Jovan Cvijić, and Jaša Prodanović.