Marie, a young doctor, settles down on the Ouessant Island. She will be able to win the diffidence of the local population but she will have to fight for her independence after falling in love with an italian engineer.

A deadly tournament for a princess' hand, a mystic "golden deer," babies switched at birth, a raised-by-lions quasi-Tarzan; everything but the proverbial kitchen sink was thrown into this extravagant fantasy adventure. Loin-clothed foundling Arminio (Massimo Girotti) leaves the jungle he grew up in upon reaching adulthood, unknowingly commencing the fulfillment of a prophecy that will have him regain the royal throne that is his birthright. Reviving the invincible muscleman hero of popular Italian silent films, THE IRON CROWN also anticipated the "sword and sandal" craze originating from that country in the 1950s, more directly triggered by two international hits: Alessandro Blasetti's own 1949 FABIOLA (released in 1949) and, not quite a decade later, HERCULES with American bodybuilder Steve Reeves. THE IRON CROWN won the "Mussolini Cup" for Best Italian Film at the Venice Festival but wasn't released in the U.S. until years after the end of World War II. Though little-remembered today (compared to some of the films it partly inspired), it survives as a vigorous if goofy gem of all-stops-out escapism. Here, it is presented it in its original language with English subtitles, minus the clumsy dubbing of poorly re-edited versions that were seen for decades outside Italy - Dennis Harvey

While on vacation in Rome, married American Mary Forbes becomes entangled in an affair with an Italian man, Giovanni Doria. As she prepares to leave Italy, Giovanni confesses his love for her; he doesn't want her to go. Together they wander the railroad station where Mary is to take the train to Paris, then ultimately reunite with her husband and daughter in Philadelphia. Will she throw away her old life for this passionate new romance?

It was the second time Delon had teamed up with Rene Clement:their first collaboration produced a great thriller "purple noon" .The second attempt produced a would be comedy which is not funny at all.The plot deals with fascists in charge of finding the antifascist printing houses.It's repetitive ,ponderous and boring.Barbara Lass was then Roman Polanski's wife and they came to France together at the turning of the decade.Lass's moment of glory was short-lived but Polanski would direct a segment in "les plus belles escroqueries du monde" a couple of years later.

Thomas Becket, Henry II's longtime advisor, finds his friendship with the debauched king corroding when he is unwillingly appointed as Archbishop of Canterbury in an attempt to gain absolute loyalty from the Church.

Once upon a time a wise and kind old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Totò, enters an orphanage. Totò leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. But when greedy developers threaten the community’s land, Totò will need all the help he can get in order to find an impossible way out.

1963 film by Luchino Visconti