Jim Latimore's ranch is a thorn in the side of the ruthless Gonzales brothers and his marriage to their cousin Rosaria rankles even more. Bandit chief El Matanza is hired to rid them of Latimore and his baby son is taken to be raised as a Gonzales. Three years later five of Latimore's friends arrive to reclaim the boy, replace Rosaria in her home and avenge their murdered compadre.

A glowing brain-like creature arrives on a beach near a rocket test site via a teleportation beam. The alien communicates telepathically with the children of scientists. The kids start doing the alien's bidding as the adults try to find out what's happening to their unruly offspring.

The son of a sorceress, armed with weapons, armour and six magically summoned knights, goes on a quest to save a princess from a vengeful wizard.

D.A. Warren Selvey learns that he's on bad political ground because of his low conviction rate. He decides to vigorously prosecute a man named Rodman. He wins the murder case and Rodman is sentenced to die. After the sentence, however, Selvey meets a man named Barnes who claims to have committed the crimes. Selvey is now being considered a candidate for Congress. Fearing the repercussions of having convicted an innocent man, Selvey frightens Barnes into silence. The night Rodman is to be executed, Barnes shows up and urges Selvey to call the governor. Selvey refuses and in an ensuing struggle Barnes is killed. Selvey's political ambitions are ruined. Days later Selvey learns that Barnes was a fake. He was a crazy retired judge who would study the evidence of a case and then confess to the crime.

When FBI Agent Zack Stewart is killed, Agent John Ripley takes over the three cases he was working on, hoping one will lead to his killer. The first involves gangster Joe Walpo and Ripley finds his hideout through Joe's girl friend, Connie Anderson. Joe is killed but it is established he was 400 miles away when Stewart was murdered. The next involves a car-theft gang which Ripley breaks up by using one of the gang, Vince Angelino and his wife Julie. The last case involves Kate Martell, the victim of an extortionist who threatens to kidnap her child unless she pays him $10,000

Georgie Minnelli confronts Lucky Moore, his old childhood enemy, for interfering in his pinball machine racket. Georgie waves a gun in Lucky's face, but Lucky isn't intimidated. A cop named Larkin has just been made lieutenant, and Larkin vowed long ago that if either of these hated rivals turns up dead, the other had better have a good alibi. Georgie couldn't possibly get away with it. But Lucky has pushed Georgie too far and his old enemy shoots him dead anyway. Now the young gangster is desperate for an alibi. But getting one won't be easy.

Gil Dalliford has an unnaturally close relationship to his father, whom he calls by his first name, Jonathan. "Every important moment of my life is a moment I had with Jonathan," he says. But after eighteen years of being a widower, Jonathan finds he's ready to settle down with a new wife. Before Gil even meets her, he declares his everlasting hatred for her. And that hatred only intensifies after his father dies. Of a heart attack, the doctor said. But Gil suspects foul play.

A devoted secretary embarks on a dangerous mission to try to find the elusive woman who may prove her boss didn't murder his wife.

Ex-con turned private investigator Bradford Galt suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Kathleen Stewart, he dives deep into a mystery in search of answers.

A sultry night club singer, a man who has also traveled to many exotic ports and a salesman meet aboard ship on the 45-mile trip from Hong Kong to Macao. The singer is quickly hired by an American expatriate who runs the biggest casino in Macao and has a thriving business in converting hot jewels into cash. Her new boss thinks one of her traveling companions is a cop. One is -- but not the one the boss suspects.

Frightened 19-year-old Marie Allen gets sent to an Illinois penitentiary for being an accomplice in an armed robbery. A sympathetic prison head tries to help, but her efforts are subverted by cruel matron Evelyn Harper. Marie's harsh experiences turn her from doe-eyed innocent to hard-nosed con.

Secretly in love with a married singer, Gil Larkin learns that she is being abused by her husband. Confronting the man in his office, Gil is knocked unconscious, only to awaken and learn he's being framed for the husband's murder - and must now discover who is really behind the crime.

Mobster Louis "The King" Koster believes that his wife and sole heir is unfaithful. He hires a hit man to kill her for twenty thousand dollars. The hit-man agrees, but he then shoots Koster dead. The hit-man was Marian's lover. Since she will inherit everything, the hit-man decided to go with the better bargain.

Manny Cole is a hit-man for Mr. Williams. He kills a man for messing up a jewel robbery. When she finds out about the murder, Manny's girlfriend accuses him of murder. She threatens to go to the police. Mr. Williams orders her killed. Manny tries to do this, but she is later accidentally killed. Manny is rewarded by Mr. Williams. He becomes his right hand man, until he is killed by another hit-man sent to Mr. Williams.

Douglas Sirk takes the gloves off in this searing view of family life of 50's America. Unlike his famous melodramas, "There's Always Tomorrow" is completely devoid of any beguiling glitz and glamour to sweeten the pill. For its time it’s a bold and unusual work focusing on the husband as the deeply unhappy victim of what outwardly appears to be an ideal family. Barbara Stanwyck and Fred MacMurray share a wonderful chemistry; very different from their famous partnership in "Double Indemnity". Stanwyck, as always, is riveting and MacMurray in his understated way turns in a particularly moving and powerful performance. Like the best of Sirk's work the film is superbly crafted with the lighting and camera work as meticulous as ever. Perhaps owing to its lack of glamour, "There's Always Tomorrow" has been grossly neglected, being overshadowed by the great melodramas that would follow. For Sirk admirers this is of course compulsory viewing, but it’s a film well worth taking a close look at for all. In the bonus segment, director Alison Anders speaks of her love for Sirk calling "There's Always Tomorrow "a perfect movie".