World War II is raging, and an American general has been captured and is being held hostage in the Schloss Adler, a Bavarian castle that's nearly impossible to breach. It's up to a group of skilled Allied soldiers to liberate the general before it's too late.

September 21, 2001 America: A Tribute to Heroes was a telethon in the style of a benefit concert organized in the aftermath of the Sept ember 11, 2001 attacks on the World Trade Center and The Pentagon by the four major United States television networks
《美国：向英雄致敬America: A Tribute To Heroes》是号召好莱坞明星及流行乐坛歌手在美国纽约发生911恐怖袭击事件后所举行一场慈善演出节目，除了包括 ABC、CBS、FOX、NBC等全美七家主要电视台、三十一家电视公司联合制播外，全球一百五十六个国家也同步播出这一长达二小时没有广告播出的募款活动。
这场由Bruce Springsteen演唱一曲“My City of Ruin”开场的晚会，参与的好莱坞明星共计有：Al Pacino、Julia Roberts、Tom Cruise、Brad Pitt、George Clooney、Will Smith、Cameron Diaz、Jim Carry等巨星，皆在现场号召大家有钱出钱、有力出力。而担任演唱的歌手们，包括：宣布暂时退出歌坛、在家相夫教子的Celine Dion献唱一曲“God Bless America”；Mariah Carey则在节目中登场演唱“Hero”；拉丁小歌王Enrique Iglesias则演唱一首他的“Hero”。男歌手一字排开，有U2合唱团、Bon Jovi、长青树Steve Wander、Bruce Springsteen、Billy Joe、Neil Young等，共同谱出至情至性的感人弦音。尤其值得一提的是Limp Bizkit一改平日的狂噪献上一曲“Wish You Were Here”感人肺腑。
本次演出现场参加人员明星比例100%，就连不会唱歌的电影明星都上台演讲或接听捐款电话。由于实质为慈善演出，整场曲风柔和令人唏嘘，歌手演出称得上绝对上乘，所以也是欣赏性极高的靓碟

Boozer, skirt chaser, careless father. You could create your own list of reporter Steve Everett's faults but there's no time. A San Quentin Death Row prisoner is slated to die at midnight – a man Everett has suddenly realized is innocent.

Still recovering from a heart transplant, a retired FBI profiler returns to service when his own blood analysis offers clues to the identity of a serial killer.

Dirty Harry Callahan returns again, this time saddled with a rookie female partner. Together, they must stop a terrorist group consisting of angry Vietnam veterans.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurosawa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdanovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

The story of matinee idol Tab Hunter from teenage stable boy to closeted Hollywood star of the 1950s.

"Dirty" Harry Callahan is a San Francisco Police Inspector on the trail of a group of rogue cops who have taken justice into their own hands. When shady characters are murdered one after another in grisly fashion, only Dirty Harry can stop them.

Slowed by age and failing eyesight, crack baseball scout Gus Lobel takes his grown daughter along as he checks out the final prospect of his career. Along the way, the two renew their bond, and she catches the eye of a young player-turned-scout.

After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.

A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.

When a wandering mercenary named Hogan rescues a nun called Sister Sara from the unwanted attentions of a band of rogues on the Mexican plains, he has no idea what he has let himself in for. Their chance encounter results in the blowing up of a train and a French garrison, as well as igniting a spark between them that survives a shocking discovery.

加拿大纪录片，National Film Board of Canada (NFB，加拿大国家电影局)和Rezolution Pictures于2009年联合制作。PBS引进播过，BTV于2013年引进并于12月播出。
Neil Diamond执导，又名《印第安画卷》，《蹒跚的印第安人》。
好莱坞是如何形成它本土的模式化观念的？对他们来说有什么真相在里面？北美的印第安导演Neil Dimond以一种直截了当的方式追述了有关当地荧屏人物一段很有意思的历史。
影片包含了上百部的影视片段以及对Clint Eastwood（克林特·伊斯特伍德）、Graham Greene（格雷厄姆·格林）、Jim Jarmusch（吉姆·贾木许）的几段采访。

2021 film directed by Giuseppe Tornatore

1971 film by Don Siegel

1997 film by Clint Eastwood

Clint Eastwood directed and hosted this final segment of the seven-part Blues documentary which was aired on PBS in the United States and then released on DVD. Eastwood has been a longtime fan of the piano and of blues and jazz artists. He once did a movie called "Bird" about jazzman Charlie Parker.
Here, Clint sits at the piano next to people like Ray Charles, Dave Brubeck, Marcia Ball, Dr. John and others and interviews them. Most aren't good interviewees and say very little, especially Charles who revealed nothing about himself or his music; absolutely no insight. Brubeck does a beautiful number but its jazz, not blues. Apparently, Eastwood forgot this was a documentary on blues. About half of the material here is more on jazz greats, like Brubeck or Oscar Peterson, Thelonious Monk, Duke Ellington, Nat "King" Cole, etc.
The best parts were clips of older and deceased piano greats like Art Tatum, who may be the best of all time, as shown here. He was awesome and I admit I knew little about the man until this episode.
Other footage highlights Otis Spann and the Chicago electric blues sound, which is more like it, to blues fans like me. Charles Brown offers some good boogie while Big Joe Turner and Jay McShann, Pinetop Perkins, Pete Jolly, Fats Domino, Professor Longhair and others contribute either live or in footage.
Meanwhile, film of a slinky woman in a sequined dress playing some boogie-woogie stuff was a highlight to me, too. Man, she could play and was fun to watch. I'd like to see more of her, or at least find out who she was. (I should have taken notes.).
Charles, via old TV tape, concludes this episode with his bluesy version of "America" which still in unique and wonderful.

Philo Beddoe is your regular, easygoing, truck-driving guy. He's also the best bar-room brawler west of the Rockies. And he lives with a 165-pound orangutan named Clyde. Like other guys, Philo finally falls in love - with a flighty singer who leads him on a screwball chase across the American Southwest. Nothing's in the way except a motorcycle gang, some cops, and legendary brawler Tank Murdock.

Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, Thao Lor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.