导演奥克·侯亨戴克的母亲露易丝已经几十年没有出过家门了。露易丝经常做噩梦，梦见自己找不到回家的路——就像她作为一个犹太女孩被驱逐的那一天。 电影从乍看起来非常普通的场景——一个在客厅里和她的猫一起看电视的老妇人——逐渐演变成一个令人不安的形象：精明女人的每天都不得不和自己的大屠杀记忆相伴生活。即使最能让她开心的圣诞树，也会让她想起威斯特博克集中营。 通过电话交谈和客厅里的摄像机，侯亨戴克让我们走近她的母亲。露易丝完全向我们敞开心扉，展示了自己的悲伤以及敏锐的幽默感。通过细腻的剪辑保持着这种巧妙的平衡，侯亨戴克将她母亲在集中营的记忆，与电视旅行节目的乐趣，还有平静祥和的家庭音乐穿插在了一起。 本片获IDFA最佳荷兰电影奖提名。

In her new documentary, Oeke Hoogendijk (The New Rijksmuseum) delves into the world of the old masters. My Rembrandt, in her own words, has become an 'epic art thriller', in which the filmmaker gives a fascinating insight into what makes the work of the Dutch master so special and why his art touches people so deeply.

导演Oeke Hoogendijk跟随阿姆斯特丹国际博物馆的改建工程先后拍摄了四部系列纪录片，总时长4小时，最后重新剪辑为这个132分钟的版本。

Until April of this year, the Rijksmuseum in Amsterdam, a peer of the Louvre, the Prado and the Hermitage, was mostly closed for almost a decade, thanks to an extensive, expensive and frequently controversial renovation. That hiatus, during which some of the finest Rembrandts, Vermeers and other masterpieces of Dutch art vanished from public view, would most likely be forgotten if not for “The New Rijksmuseum,” Oeke Hoogendijk’s eye-opening, patience-testing new documentary. The film dwells on the logistical and bureaucratic details of the process, and if it does not exactly write a fresh chapter in the history of art, it stands as an exemplary study in the sociology of art administration.